Rafael Kubelik A Portrait

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

Experience the meteoric rise of Oasis through rare footage and untold stories as the band reunites for Oasis Live '25, chronicling their journey from Manchester streets to global rock stardom.

A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Documentary filmmaker Amy Berg investigates the life of 30-year pedophile Father Oliver O'Grady and exposes the corruption inside the Catholic Church that allowed him to abuse countless children. Victims' stories and a disturbing interview with O'Grady offer a view into the troubled mind of the spiritual leader who moved from parish to parish gaining trust ... all the while betraying so many.

A years-in-the-making documentary on the legendary punk band the Ramones. Through a mixture of archival footage, archival and new interviews with all members of the band's various lineups, and new interviews with a number of their contemporaries, the film traces the peaks and valleys the band experienced over the course of its 20-plus year career before disbanding in 1995.

The life of Mr. Spock, as well as that of Leonard Nimoy, the actor who played him for almost fifty years, written and directed by his son: Adam.

On 10th December 2007, Led Zeppelin took the stage at London's O2 Arena to headline a tribute concert for dear friend and Atlantic Records founder Ahmet Ertegun. Founding members John Paul Jones, Jimmy Page and Robert Plant were joined by Jason Bonham, the son of their late drummer John Bonham, to perform 16 songs from their celebrated catalog.

An intimate portrait of Brooklyn-based electronic rock band LCD Soundsystem's then-final live show on April 2, 2011, capturing both the exuberant, three-hour farewell concert at New York City's Madison Square Garden and frontman James Murphy's introspective 48 hours surrounding it.

A global television broadcast of the event in which former Pink Floyd leader singer and composer Roger Waters led an all-star cast in a mammoth benefit performance of his acclaimed concept album, The Wall. Set in Berlin, Germany less than a year after the destruction of the hated Berlin Wall, Waters was accompanied by disparate talents such as Cyndi Lauper, James Galway, Joni Mitchell and Albert Finney in the classic dark musical tale of a rock star's descent into madness and back.

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Unprecedented access to Muhammad Ali's personal archive of "audio journals" as well as interviews and testimonials from his inner circle of family and friends are used to tell the legend's life story.

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Martin Scorsese's documentary intertwines footage from The Band's incredible farewell tour with probing backstage interviews and featured performances by Bob Dylan, Joni Mitchell, Van Morrison, Eric Clapton, and other rock legends.

See Michael Jackson, one of the most recognizable and popular entertainers of all time, like never before in the feature-length tribute Michael Jackson: The Life of an Icon. Known to millions of fans worldwide for his record-breaking albums, groundbreaking music videos, mesmerizing dance moves and humanitarian efforts, his true story has never really been told...until now. This unprecedented look into the King of Pop's fascinating life includes all-new interviews with his mother Katherine Jackson as well as siblings Tito and Rebbie Jackson, his nephew Jaafar Jackson and niece Tahkyah brings plenty Jackson and Friends ends and music legends such as Smokey Robinson, Dionne Warwick and his 3 children and many more.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

The story of the triumphs and hurdles of brothers Barry, Maurice, and Robin Gibb, otherwise known as the Bee Gees. The iconic trio, who found early fame in the 1960s, went on to write over 1,000 songs and have 20 No. 1 hits throughout their career, transcending more than five decades of changing tastes and styles.

Karajan conducts rehearsal and performance of Schubert's Symphony No. 4 with the Vienna Symphony in Vienna, Nov. 1965, and Beethoven's Symphony No. 5 with the Berlin Philharmonic, January 1966. Henri-Georges Clouzot directs.

For Mahlerites, his symphonies are much more than musical performances--they can be an emotional or spiritual journey through the struggles, fears, and triumphs of life. This Sixth Symphony is a 1976 performance in the Vienna Musikvereinssaal with PCM stereo and DTS 5.1. The 2 dvd set also includes the 4th and 5th symphonies, which are performed as magnificently as the Sixth.

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

Almost any recording of a Mozart symphony by Austrian conductor Karl Bohm (1894-1981) is a sure thing: excellent sound, and sensible, solid, non-sentimental interpretation. This DVD has 3 Mozart Symphonies, all conducted by Bohm: Nos. 33 and 39 with the Vienna Symphony, recorded in Studio-Wien in 1969, and a live 1970 performance of Symphony 28 with the Vienna Philharmonic, filmed in the Musikvereinsalle in Vienna. All 3 symphonies have excellent film quality and sound, although some viewers may prefer Symphony 28, as the presence of a live audience really brings out the best in the Vienna Philharmonic.

The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation. The operatic experience of the conductor was almost tangible, revealing the sheer dramatic instrumental battle between Bruckners God and the Devil between heaven and hell without betraying Bruckners unerring sense of striking proportions. The release of this contrapuntal masterpiece (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboims Bruckner cycle with the renowned Staatskapelle Berlin.

Daniel Barenboim is an expert in exploiting the impact of cyclical performances of composers works: This time he focuses his sharp intellect on all six of Anton Bruckners mature symphonies. Der Tagesspiegel described Barenboim's performance of the works with the Staatskapelle Berlin on six nearly consecutive evenings in June 2010 as a superhuman accomplishment and went on to praise how: His Bruckner is conceived and performed very theatrically, like an opera without words. Bruckners famous Romantic Symphony No. 4 forms the prelude to a spectacular DVD series from Accentus Music and Unitel Classica, exploring Bruckners symphonic cosmos.

Between 1981 and 1984 Leonard Bernstein recorded nearly all of Brahmss orchestral works with the Wiener Philharmoniker to honor the 150th anniversary of the composer's birth in 1983. For the concertos, Bernstein enlisted the services of some of the finest Brahms interpreters of the time: the violoninst Gidon Kremer, the cellist Mischa Maisky and the pianist Krystian Zimerman. Leonard Bernstein, Krystian Zimerman, and the Wiener Philharmoniker, it's very hard to get a better group of musicians for these masterpieces. Mr. Zimerman and Mr. Wolfgang Herzer's piano cello duets in the third movement of Brahms' second is simply tearful.

With nearly 450 years of tradition, the Staatskapelle Berlin is one of the oldest orchestras in the world. Daniel Barenboim has served as its music director since 1992, and in 2000 the orchestra appointed him Chief Conductor for Life. Having already performed important cycles such as Beethoven, Brahms and Schumann together, Daniel Barenboim and the Staatskapelle turned their focus toward Anton Bruckner's last six Symphonies, performed in the Philharmonie Berlin in the course of only one week in June 2010. This music is more serious and more significant than one had thought, the Berliner Zeitung summarized in its review of Daniel Barenboims celebrated Bruckner cycle with the Staatskapelle Berlin. Bruckners unfinished Symphony No. 9 brought to an end, in a poignant manner, the work of one of the greatest symphonic composers of the Classic-Romantic era.

On Air presents Igor Stravinsky's The Rite of Spring, performed by the world-renowned Royal Philharmonic Orchestra, conducted by Peter Breiner, and recorded at BBC Television Centre. Expertly brought to life by some of the world's most sought-after classical musicians, the ensemble comprises 93 instruments: 51 string, 16 woodwind, 20 brass and 6 percussion. The full performance is available to watch on demand in cinematic quality.

On Air presents Igor Stravinsky's Petrushka, performed by the world-renowned Royal Philharmonic Orchestra, conducted by Peter Breiner, and recorded at BBC Television Centre. Expertly brought to life by some of the world's most sought-after classical musicians, the ensemble comprises 86 instruments: 51 string, 14 woodwind, 16 brass, 4 percussion and 1 piano. Available now to watch on demand in cinematic quality.

The renowned orchestra presents the world's biggest annual classical open air concert live from their hometown Vienna, Austria on Thursday, May 29th, 2014. The Summer Night Concert with the Vienna Philharmonic is an annual open-air event that takes place in the magical setting of the Schönbrunn Palace Park in Vienna with the palace as a magnificent backdrop. Everyone is invited to come to this unique occasion with free admission. Each year up to 100,000 people can take up the invitation, or enjoy on radio and TV in over 60 countries.

From the very first bars of the Coriolan Overture, it is apparent that this is Beethoven at his very best. Vladimir Jurowski and his absolutely brilliant Orchestra of the Age of Enlightenment give us a new reading of old favorites that may well blow you out of your chair. There is plenty to discover: sounds and textures never heard before, an orchestral timbre as the composer himself may have envisaged and heard, incredible strength and cohesion and, on the other hand, sensitive nuances that often disappear under a blanket of massed strings in more traditional interpretations.

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.

Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.

Chopin Year 2010 coincides with the 60th anniversary of Daniel Barenboims stage début, and as a pianist he has decided to devote this year to the great Romantic master of the keyboard. Fryderyc Chopin was born on 1 March 1810 in a small village near Warsaw, and on the eve of the 200th anniversary of this date Barenboim gave this wildly acclaimed Warsaw recital as part of an extensive European tour. Recorded live at the National Philharmonic Hall, Warsaw, the programme presents some of the composers best-known works, including the great B flat minor Sonata with its famous Funeral March, which sounded to many as the composer may well have imagined it. Ive been playing Chopin ever since I was a little boy. On the advice of my father, who was also my teacher, I performed some of his pieces in my very first concert, when I was just seven. At that point I was playing the Etudes and the Nocturnes obviously I didnt try and tackle the larger scale Sonatas or the Fantasy until later.

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971