Rusalka - Metropolitan Opera

This contemporary re-imagining of Andrew Lloyd Webber and Tim Rice's legendary rock musical Jesus Christ Superstar presents the story of the last seven days of Christ leading up to his crucifixion as seen through the eyes of Judas Iscariot. Filmed as an arena rock opera, the performance features a star-studded line-up which includes award-winning musical comedian, Tim Minchin as the role of Judas Iscariot; pop icon and former Spice Girl Melanie C as Mary Magdalene; radio DJ Chris Moyles in his stage debut as King Herod; and Ben Forster, to take on the title role of Jesus.

Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.

This film follows the remarkable and inspirational true story of Paul Potts, a shy, bullied shop assistant by day and an amateur opera singer by night.

Gertrude Lawrence rises to stage stardom at the cost of happiness.

For Apple Music Live, Gaga presents MAYHEM Requiem, a celebration and musical reimagining of MAYHEM.

A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers' underground dance clubs.

After failing to make it on Broadway, April returns to her hometown and reluctantly begins training a misfit group of young dancers for a competition.

A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.

Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.

Talented USO entertainer Dixie Leonard and comedian Eddie Sparks deal with their relationship over the course of 5 decades from World War II to the Vietnam War era to their twilight era in the 90's.

Where We Are: Live from San Siro Stadium features the entire 23 track concert filmed at San Siro Stadium in Milan in June 2014, as well as 24 minutes of bonus content including backstage footage of One Direction and their crew.

Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.

A shy teenager living on the Isle of Wight dreams of pop stardom. With the help of an unlikely mentor, she enters a singing competition that will test her integrity, talent, and ambition.

A talented young singer and aspiring songwriter’s Christian faith and family ties are tested when she defies her worship-pastor father and pursues pop-music stardom in GRACE UNPLUGGED, a moving and inspiring new film that explores the true meaning of success.

Filmed in front of a live studio audience and hosted by Alex Cooper of 'Call Her Daddy' fame, Miley Cyrus reflects on the creation and impact of the series with never-before-seen archival footage, all the while interacting and reminiscing on some of the show's most memorable sets 'brought back to life' — including the Stewart family living room and the legendary Hannah Montana closet.

Hans Zimmer is one of the most successful film music composers working today. His multi-award winning career reaches back to the mid-eighties and he has developed close working relationships with renowned directors such as Ridley Scott, Tony Scott, Michael Bay, Ron Howard, Gore Verbinski and Christopher Nolan. His credits include some of the biggest blockbuster movies of all time along with acclaimed TV series such as The Crown and Planet Earth II. This concert was filmed on 7th May 2016 in Prague during Hans Zimmer’s hugely successful European concert tour. Hans was accompanied by a band, orchestra and choir, 72 musicians in total, including guitarist Johnny Marr. The staging was spectacular with a ground breaking light show, stunning visuals and a state of the art sound system. Hans Zimmer performs on multiple instruments and gives introductory insights to many of the pieces during the concert. This show is a treat for lovers of both great music and great movies.

A one-night livestream concert performed by Twenty One Pilots on May 21, 2021, introducing their newest album "Scaled and Icy".

Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. Featuring rare behind-the-scenes interviews, personal moments between Katy and her friends, and all-access footage of rehearsals, choreography, Katy’s signature style and more, Katy Perry: Part of Me reveals the singer’s unwavering belief that if you can be yourself, then you can be anything.

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.

A backstage and on-stage look at Justin Bieber during his rise to super stardom.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

This highly acclaimed production of Strauss Salome from the Festspielhaus Baden-Baden is staged by German director Nikolaus Lenhoff. Starring Angela Denoke as a brilliant Salome, who is joined by a great ensemble of soloists, Kim Begley, Doris Soffel and Alan Held. Performing with great aplomb , the Deutsches Sinfonie Orchester Berlin, conducted by Stefan Soltez, was also enthusiastically celebrated by critics and audience.

Julia Bullock, Joyce DiDonato and Jakub Jozef Orlinski star in Katie Mitchell’s thrilling new production of Handel’s Theodora in an alternative modern-day reality, Theodora, a religious fundamentalist, plots for the resistance against the Roman occupation. But when her secret plan to destroy the Roman embassy is discovered, she learns the true brutality of her oppressors. Harry Bicket conducts the Orchestra of the Royal Opera House

Franz Schreker’s career was cut short by the events of 1933 in Germany but he achieved real fame with his operas, and the huge success of Der Schatzgräber (‘The Treasure Hunter’) in the 1920s was the high point of his career. In a complex and ultimately tragic tale of destructive greed, desire and toxic social hierarchy, the innkeeper’s daughter Els is forced to confront the consequences of her murderous intent in what conductor Marc Albrecht considers ‘a work of exceptional quality, concentration and significance’. Following the huge success of Korngold’s Das Wunder der Heliane (Naxos DVD 2.110584–85 / Blu-ray NBD0083V), director Christof Loy continues his exploration of strong female characters and neglected 20th-century masterpieces with this highly acclaimed Deutsche Oper Berlin production.

Anthony Dean Griffey creates a haunting portrait of the outcast fisherman who struggles under the burden of presumed guilt. This chilling production by Tony Award-winning director John Doyle also features the superb Patricia Racette as the sympathetic Ellen Orford and the Met chorus in a truly hair-raising performance as the oppressively judgmental fishing village.

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

Wagner’s mystic masterpiece Parsifal at the Staatsoper Berlin, staged by Dmitri Tcherniakov and conducted by Daniel Barenboim. Wagner’s last opera, Parsifal is a medieval epic story marked by Christian, Buddhist and esoteric references. It is about redemption and renewal, but this new production by Russian director Dmitri Tcherniakov adds a jarring note : revenge. This “Festival Play for the Consecration of the Stage” is similar to a Medieval epic, a blend of metaphysical dreams and esoteric battles with constant spiritual references. This new production is directed by Dmitri Tcherniakov, conducted by Daniel Barenboim and sung by an international cast of excellent singers: Andreas Schager, Anja Kampe, Wolfgang Koch, René Pape, Tomas Tómasson and Matthias Hölle.

Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Accompanied by the chamber music ensemble CHAARTS, the soprano and tenor perform arias and duets from works by Mozart, Verdi, Puccini, Gounod, and Bizet. All in the open air, in the courtyard of Neuschwanstein Castle.

Mozart’s Don Giovanni was first performed in 1787, and was based on the story of the Spanish lothario, Don Juan. The title character seduces, deceives and murders his way through the opera, doing his utmost to experience life, and all that it has to offer, to the full.

The Orchestra of the Royal Opera House presents a new production of Poulenc's short opera La Voix Humaine, featuring soprano Danielle de Niese and shot on location in Paris and London.

In search of an opera for his theatre, an impresario finds himself grappling with a group of egotists and jealous individuals. Based on a score by Florian Leopold Gassmann, this caustic satire of the 18th-century opera world is directed by Laurent Pelly. Starring Julie Fuchs as the prima donna.

The man looks back on a turbulent love life, which he does not dare to opt definitively for a permanent love. He loves Tosca, but leaves her for another new love, Alpha. He cherishes the infatuation at the start of a relationship, meaning he is not yet ready for real life. However, at the end, he is able to make his choice ...

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.