The Human Voice

A down-on-his-luck coach is hired to prepare a team of the best American dancers for an international tournament that attracts all the best crews from around the world, but the Americans haven't won in fifteen years.

The show is a dramatization of the life of Wolfgang Amadeus Mozart beginning from the age of 17 and culminating with his death in 1791 at the age of 35.

A famous pianist at the twilight of his career meets a free-spirited music critic who soon becomes his rock as his mental state deteriorates.

Ghost is an ideological musician and leader of a jazz band who would rather play his blues in the park to the birds than compromise himself. His peripatetic performances lead him to cross paths with a singer, while his masculinity is thrown into question following a violent brawl.

A talented young singer and aspiring songwriter’s Christian faith and family ties are tested when she defies her worship-pastor father and pursues pop-music stardom in GRACE UNPLUGGED, a moving and inspiring new film that explores the true meaning of success.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Aspiring small-town musician Chito is determined to make it big. When a clip of him performing one of his songs goes viral, he seizes the opportunity and pushes to carve out a place for himself in the new wave of Mexican-American music... and ultimately gets caught in a game more dangerous than anticipated.

Claire and Jeanne are twin sisters, united by the same passion: the piano. Coached by their father like athletes, they join the prestigious Karlsruhe Conservatory. They are now competing to be soloists and training for a concert that will make or break their careers. But Claire and then Jeanne discover they are suffering from a serious illness and are slowly losing the use of their hands. With the support of their family and their undying love of music, they will find a unique way to change their fate. An inspiring and moving tale, based on a true story.

Street dancer Skyler comes out of the shadow of her trained dancer sister, Tosha, & joins a dance competition with the Honey dance studio; the prize is a college scholarship.

A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.

Lydia, a midwife very invested in her work, is in the middle of a breakup.

When the beloved cellist of a world-renowned string quartet is diagnosed with a life threatening illness, the group's future suddenly hangs in the balance as suppressed emotions, competing egos and uncontrollable passions threaten to derail years of friendship and collaboration. As they are about to play their 25th anniversary concert — quite possibly their last — only their intimate bond and the power of music can preserve their legacy.

Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine's picture "Le Sixième Jour", and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.

Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.

A shy teenager living on the Isle of Wight dreams of pop stardom. With the help of an unlikely mentor, she enters a singing competition that will test her integrity, talent, and ambition.

Zahia Ziouani, 17, dreams of becoming a conductor, while her twin sister Fettouma hopes to be a professional cellist. They want to make classical music accessible to everyone and create their own orchestra.

The Mambo Kings tells the story of César and Nestor Castillo, brothers and aspiring musicians who flee from Cuba to America in search of the American Dream.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.

While getting ready for a special anniversary dinner, Zoe’s boyfriend receives a suggestive text message from an unknown woman. When he suddenly leaves, Zoe turns to Google to guide her on how to confront him and/or get the revenge she believes she deserves.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Part of the celebrations for the 150th anniversary of the death of the Pesaro composer, Il Barbiere di Siviglia staged in Lugano, is the result of a virtuous collaboration that involved Swiss Radio and Television, LuganoInScena and LuganoMusica. The musical part was entrusted to Maestro Diego Fasolis who, together with his Barocchisti ensemble, was involved in the project from the very beginning. Internationally renowned soloists such as Edgardo Rocha (who embodies the Count of Almaviva), Riccardo Novaro (Bartolo), Lucia Cirillo (Rosina), Giorgio Caoduro (Figaro), Ugo Guagliardo (Basilio) and Alessandra Palomba (Berta) performed on stage.

Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848). Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'. First performance in Naples, Teatro San Carlo, 26 September 1835 Recording: December 23 2015 - Gran Teatre del Liceu | Barcelona Director: Fabrice Castanier Conductor: Marco Armiliato Orchestra & Chorus of the Gran Teatre del Liceu

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

The cries of a baby drive a man going through a breakup into drug-fueled madness.

When a scheduling error forces grieving photographer Peter to share an apartment with the rebellious Alice, their weekend together becomes unexpectedly transformative. As the two Asian-Americans navigate New York from Chinatown to the Hamptons, Peter confronts his sister's death and his own invisibility while Alice grapples with family secrets and a recent breakup. Through stolen dumplings, midnight swims, and brutal honesty two strangers learn that being seen requires first seeing yourself. Banana Split is a bittersweet comedy about grief, identity, and what happens when two people force each other to stop hiding.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.

Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.

Every culture has one – the horrible monster fueling young children's nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years ago. Is the Boogeyman real, or did Tim make it up to explain why his father abandoned his family?

With his affinity for the 16th-century sculptor Benvenuto Cellini's advocacy of artistic and personal freedom, Hector Berlioz went straight for the grand gesture with his first completed opera. Returning to it years after initial production debacles, Berlioz stated that he would 'never again find such verve and Cellinian impetuosity, nor such a variety of ideas.' The plot revolves around Cellini's wooing of Teresa, a match frustrated at every opportunity by his rival, the cowardly Fieramosca. Benvenuto Cellini is a pithy work combining romance, excitement, violence, comedy and spectacle; the perfect stage for Terry Gilliam's stylishly colorful and larger than life directing.

Jerin (Ajayaghosh), at crossroads with his stagnant love life; Subru Vishnu Unnikrishnan), fed up with his mom's argumentative nature; Sanjay (Sumith Samudra), all against his reckless job schedule; Aashiq (Askar Ali), annoyed with unending family obligations - are four friends with instability in their lives. On one decisive night, the four friends take an unusual oath, to quit using their mobile phones forever. From the next daybreak, the world around them turns upside down. Sacking, break-up, and resentment follows. After the initial chaos, they seem to enjoy the peace, ease, and all the joys. However, this is just the beginning of another story. A steely resolve for more adventure, more determination, more drama, and more blows. Will they live to tell the tale?

BBC documentary exploring the dynamic relationship that developed between British composer Benjamin Britten and the BBC as they worked together to broadcast modern classical music further and wider. Through this collaboration, Britten's music reached television audiences, from elaborately staged studio operas to intimate duets featuring his partner Peter Pears to the massive Proms performance of his War Requiem. The programme features interviews with Britten's collaborators and singers as well as those working behind the scenes including Michael Crawford, David Attenborough, Humphrey Burton and soprano April Cantelo. James Naughtie narrates.

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.