Afghantsi

Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.

“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...

This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.

Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.

A documentary about the life and films of director John Ford.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.

When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Join the likes of Jeremy Renner, Hailee Steinfeld, Florence Pugh, and Vincent D’Onofrio as they reveal how Marvel Studios’ “Hawkeye” was conceived and created. Witness firsthand what it took to pull off the show’s pulse-pounding action set pieces, and discover how iconic characters from the pages of Marvel Comics such as Kate Bishop were adapted and brought to life for the six-episode series.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

Directors Hetherington and Junger spend a year with the 2nd Battalion of the United States Army located in one of Afghanistan's most dangerous valleys. The documentary provides insight and empathy on how to win the battle through hard work, deadly gunfights and mutual friendships while the unit must push back the Taliban.

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

The Captains is a feature-length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors who have portrayed starship captains in the Star Trek franchise.

The Soviet Army Prepares for Action in Afghanistan is derived from four shots of a Soviet film called Heirs of Victory (1975) which commemorates the Allied triumph over fascism in World War II. The original film celebrates the military might of the USSR in images of explosions and armed men leaping through flames. These images are subjected to such thorough manipulation that they become patterns flickering like a multitude of abstract paintings, with digital smears standing in for squeegee marks and brush strokes. Slowly the shots become less abstract until they are completely recognizable, though still somehow rather surreal.

Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.

A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.

Single mother Anna and her four children live in the front-line war zone of Donbas, Ukraine. While the outside world is made up of bombings and chaos, the family is managing to keep their home a safe haven, full of life and full of light. Every member of the family has a passion for cinema, motivating them to shoot a film inspired by their own life during a time of war. The creative process raises the question of what kind of power the magical world of cinema could have during times of disaster. How to picture war through fiction? For Anna and the children, transforming trauma into a work of art is the ultimate way to stay human.

Three film-makers travel to Iraq to film the ongoing crisis in which ISIS forces are trying to take over the country. The film-makers speak with locals, military, police and other media outlets to get their opinions on the crisis but it's the voices of the children which often goes unheard, so the film-makers listen to the children, and find out their views on the crisis.

French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.

The untold story of Micronesian citizens fighting America's wars. Through the personal odyssey of the Nenas, one family experiences the consequences of military service, as they represent a pristine Pacific island on the brink of economic collapse.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.

This film creates a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.

In Jaan the filmmaker uses her mother’s forbidden cassettes and dance to tell the stories and show the spirit of Afghan women across generations.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Former corporate whiz kid Robert McNamara was the controversial Secretary of Defense in the Kennedy and Johnson administrations, during the height of the Vietnam War. Augmented by archival footage and cabinet conversation recordings, Errol Morris gives the conflicted McNamara a platform on which he attempts to confront his and the U.S. government's actions in Southeast Asia in light of the horrors of modern warfare, the end of ideology and the punitive judgment of history.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

Letter from Beirut documents the filmmaker's return to Beirut during one of the lulls, three years after the outbreak of the civil war, animated by the urge to return. She is confronted by the physical, emotional and psychological ravages of the war, terrified and sorrowful, she cannot find her place in the city. In that quest, she communicates with everyday people, friends, neighbors, people riding the bus across the city's eastern and western flanks. To pace her journeying and dramatic unraveling of the film, Saab borrows the guise of a letter read in a voice-over, written by world-renowned poet Etel Adnan. A rare document from the civil war, Letter from Beirut lays bare and spontaneously how people make sense of their everyday in the midst of chaos, violence, terror and sorrow.

This feature documentary examines its own genre, which has often been called Canada's national art form. Released in the year of the NFB's 75th birthday, Shameless Propaganda is filmmaker Robert Lower's take on the boldest and most compelling propaganda effort in our history (1939-1945), in which founding NFB Commissioner John Grierson saw the documentary as a "hammer to shape society". All 500 of the films produced by the NFB until 1945 are distilled here for the essence of their message to Canadians. Using only these films and still photos from that era, Lower recreates the picture of Canada they gave us and looks in it for the Canada we know today. What he finds is by turns enlightening, entertaining, and unexpectedly disturbing.