Weird West: Bone Tomahawk's Genre Medley

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

In 1997, Louis Theroux made a documentary about the world of male porn performers in Los Angeles. 15 years later, he returns to find a business struggling with the deluge of free porn on the internet. Louis revisits some of the original programme's contributors as well as meeting the latest crop of porn performers dreaming of porn stardom.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

With a first-person look at the notorious Crips and Bloods, this film examines the conditions that have lead to decades of devastating gang violence among young African Americans growing up in South Los Angeles.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Martin Scorsese spends an evening with larger-than-life raconteur Steven Prince—a former drug addict, road manager for Neil Diamond, and actor—as he recounts stories from his colorful life.

Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.

The life and career of an actor, artist, and icon. His own journey through his own camera.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

A documentary about the life and films of director John Ford.

Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity

Video essay exploring Luca Guadagnino's filmmaking methods, focusing on the passionate dynamics of desire and ardent longing for connection that sizzles across his cinema.

From 1920 to 1965, the great Buster Keaton made spectacular use of locomotives in his films. This video essay charts the course of his iconic cinematic career across the many tracks he rode along on screen: as a young man in the surge of his silent movie ascent in Our Hospitality, while making his masterpiece The General, and traversing the width of Canada on a railway speeder car as an old man in The Railrodder.

The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.

A visual essay about Mario Bava's film "Shock" by Alexandra Heller-Nicholas examining the film’s imagery, objects, and connections between possession and puppetry.

After the making of my previous film (PLAY DEAD!), some unfinished business remained on my desktop. Home movies and various body horror films from my childhood cluttered my computer screen. Part medical treatise, part self-anamnesis, and a mashup tinged with nostalgia, this video essay returns the images emanating from my computer screen to the everyday gaze of a diabetic.

A video poem about a house. The home, or at least its foundations, are what evoke memories of that childhood, now lost in time.

Through an exercise in fragmentation and personal memory, Autogazō examines the construction of self-identity projected across the six classical artistic disciplines. Navigating domestic archive footage, physical staging in darkness, and fractured reflections, the piece converges toward the seventh art: a threshold where cinema ceases to be a mere recording medium to embody the filmmaker himself.

A fictional boy aims to become a non-fictional rapper. His label has other plans.

A visual essay on the trope of the wax/statue woman in Gothic horror by author and critic Kat Ellinger. She examines the film through “body Gothic”: the way Gothic horror turns women’s bodies into sites of beauty, vulnerability, illness, artistic display, medical exploitation, and death.

Video essay on Heart of Stone, folktales and gothic horror by film and literature scholar Mary Going. Included on the Eureka! Entertainment release of of the 1950 DEFA film "Heart of Stone," or "Das Kalte Herz", the original German title.

Chase Bridges gives his research on the fictional 80's tv show "Surfing Dracula", giving summaries of multiple episodes and the general plot of the show.

A Video essay where Andrew Mercado discusses Ozploitation rarities. The Australian films discussed are: Final Cut [or Death Games] (1980), Road Games(1981), Alvin Rides Again (1974), Lady Stay Dead (1981), Night Of Fear (1973), Inn Of The Damned (1975), Crosstalk (1982).

A video essay on the film by writer and pop culture historian Keith Allison where he gives a concise historical-and-critical companion to Alberto De Martino’s 1963 The Blancheville Monster—released in Italy as Horror. Rather than functioning as a production-history interview, it places the film within the early-1960s revival of Gothic horror and then reads its particular blend of Poe-inspired nightmare, old-dark-house melodrama, and psychological uncertainty.

We continue our exploratory investigation into the depths of the comedy world, trying to figure out how and why it got so degraded and destroyed. Picking up from where our last exploration left off, we examine the current state of the comedy sphere, while probing the invisible techno algorithmic undertow that shapes our inner thoughts and outer behavior. We also consider humanity's innate and deeply subcortical instinct to belong to a group, and the amygdalar fear factory in our brain which influences us to stay with and protect that group. Comedy.

Continuing our investigation into how our current comedy era got to be so wonderful. They say that power doesn't corrupt, it reveals. Once a guy like Joe Rogan, the Comedy Czar, grabs hold of the reins of power, he can wield his power in any number of directions. We examine humanity's innate instinct to migrate, and where we head when there is nowhere else to go. How can the nature of subjective reality be leveraged and exploited. The complex psychological mechanisms behind the current comedy era. The powerful cult behind the destruction of everything that was ever good. Hyperreality, classic reality. And the cycles.

Human beings are on the precipice of the next migration era, and comedy is at the forefront of this new age. Some have already begun the journey. This is an ongoing investigation into how our current comedy era got to be so wonderful. How did this once beloved art form come to be run by an autocratic dictator? How it started. Why it won't end. The evolution of the podcast. The shadowy nature of identity. The cycles. Examining the tragic past and psychology that motivates its beloved Dear Leader: Joe Rogan. And wondering if the possession of unlimited power will make a despot of almost any man.

There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?

“Face of Centuries: Jan S. Kolár and the Afterlives of History” is an 18-minute visual essay created by experimental filmmaker and film scholar Stephen Broomer for Deaf Crocodile's Blu-ray collection of The Arrival from the Darkness (1921) and St. Wenceslas (1929). Its subject is the filmmaking career and artistic legacy of Czech director Jan S. Kolár (1896–1973), one of the pioneers of Czech cinema. The essay examines Kolár's place in early Czech filmmaking, including his experimentation across genres and the historical significance of his surviving films. The two principal features offer quite different windows into his work: - The Arrival from the Darkness: occult fantasy, resurrection, alchemy, black magic and time travel. - St. Wenceslas: an ambitious historical epic about tenth-century Bohemia, political conflict and the establishment of Christianity