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The Monstruitas of Monster High are obsessed with going to Scaris, The City of Frights for Fashion international competition where the winner will become the apprentice of the world famous Madame Ghostier designer.

The peace of a small town is endangered when a corporation wants to destroy the mountain that protects them. A girl named Copi and her best friend Xico, a Xoloitzcuintle dog, will go into the mountains to try to save the town.

Set in Han Imperial China, the plot follows the adventures of enslaved girl Ping with ancient dragon Long Danzi. Dragons had been banished from the kingdom. Ping, an orphan, finds one of the last remaining dragon eggs. Palace guards force Ping to run away in order to return the dragon egg to the ocean and save all dragons from extinction. Ping discovers that she is a true Dragonkeeper.

Leo San Juan, an insecure child of nine years old, lives eternally frightened by horror stories that Nando tells his older brother. Within these stories it is 'The Legend of Nahuala', according to which, an old abandoned Casona is possessed by the spirit of an evil witch known as the Nahuala.

Tad accidentally unleashes an ancient spell, endangering the lives of his friends Mummy, Jeff, and Belzoni. With everyone against him and only helped by Sara, he sets off on an adventure to end the Curse of the Mummy.

A pampered cat takes for granted the lucky hand he has been dealt after he is rescued and loved by Rose, a kind-hearted and passionate student. When he loses his ninth life, fate steps in to set him on a transformative journey.

A lost-and-found box holds a mysterious and unseen monster within.

A brave young animal explorer teams up with two trusty friends to find a powerful artifact before his greedy uncle can get his paws on it.

When Brainy Smurf is favored to win the annual Smurfberry Hunt for the ninth year in a row, Gutsy Smurf sets out to discover how Brainy wins every year. Gutsy’s investigation takes him into spooky Smurfy Hollow–and right into Gargamel’s trap! Can Brainy and Gutsy, with the help of Smurfette, put aside their rivalry before Gargamel captures them–or worse, they come face-to-face with the legendary ghost, the Headless Horseman?

A hunt for a lost sheep turns into a competition between Hiccup and friends as they compete to become the first Dragon Racing champion of Berk.

Two half-hour animated films based on the much-loved rhymes written by Roald Dahl and illustrated by Quentin Blake.

It's been ten years since the dragons moved to the Hidden World, and even though Toothless doesn't live in New Berk anymore, Hiccup continues the holiday traditions he once shared with his best friend. But the Vikings of New Berk were beginning to forget about their friendship with dragons. Hiccup, Astrid, and Gobber know just what to do to keep the dragons in the villagers' hearts. And across the sea, the dragons have a plan of their own...

Determined teen Din is longing to reconnect with his childhood best friend when he meets a wish-granting dragon who shows him the magic of possibilities.

Po and the Furious Five uncover the legend of three of kung fu's greatest heroes: Master Thundering Rhino, Master Storming Ox, and Master Croc.

When the four Willoughby children are abandoned by their selfish parents, they must learn how to adapt their Old-Fashioned values to the contemporary world in order to create something new: The Modern Family.

After tumbling into a magic storybook, Puss in Boots must fight, dance and romance his way through wild adventures as he searches for an escape.

Animals band together to save the day when the evil Otto Von Walrus hatches a sinister scheme to accelerate global warming and melt the Arctic Circle.

Before becoming queen, Uberta lived a humble life with her husband Maximillian when she is suddenly thrust into royalty. Through triumph and tragedy, she learns the lessons needed to become a beloved Queen, all while raising the next generation of rulers. When it's time for Uberta to pass the royal scepter to Odette and Derek, rival Queen Wixom has plans of her own to ruin the kingdom's greatest coronation.

Avatar Aang, the world's last Airbender, learns of an ancient power that could save his culture from extinction. With the help of his friends, he embarks on a global quest to find it before it falls into the wrong hands and threatens to upend the peace they sacrificed everything to achieve.

Toto has grown and now is a young cock. An evil rancher tricks the female owner of the ranch where they live and forces her to bet the property in a cockfight in the arena. Toto is the only option to defend their home, so he must train in just one week and win the championship of the arena.

La India María must find at all costs in the recesses of a mountain the Magic Black Mirror of Tezcatlipoca, since the spirit of his great-grandfather Moctezuma II ordered her to find it in to prevent the destruction of Mexico. Alonso, a handsome Spanish archaeologist, Bianchi, an antiquities dealer and Brigida Troncoso - an ambitious governor, are aware of the existence of such mirror, of the mysterious treasure of Moctezuma and of María, so all undertake a frantic chase after her to seize the magic glass and the gold.

A childhood episode comes back to the memory of a man with no land

Two young women are about to receive the great honor of being sacrificed to their Mexica gods; but the cruel and bloody ritual does not go as expected.

A Blue Soldier and a Yellow Soldier play a board game trying to outwit each other, struggling for control over a piece of land. The Farmer who belongs to the land is not allowed to play and must pick a side. As the fighting escalates, what side does she choose?

A child finds a spellbound book on her way to school. The strange book foretells a murderous tiger coming to kill them and everything in their path.

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

A leading figure in the Palestinian cause and the fight against imperialism, the Lebanese communist activist Georges Ibrahim Abdallah had been languishing in French prisons for thirty-eight years—a unique case in France. Arrested in Lyon in 1984 with false papers, he was sentenced two years later to four years in prison for possession of weapons and explosives, then in 1987 received a life sentence for complicity in the assassinations in Paris five years earlier of an Israeli Mossad agent and an American military attaché—charges he has always denied. Although he has been eligible for release since 1999, French political authorities, under pressure from the United States and Israel, opposed his release. Interventions by Palestinian figures, his relatives, his lawyer and ex-prisoners from the extreme left, retrace the journey of the village schoolteacher who became an anti-colonial activist.

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Former petty criminal Ali la Pointe becomes a commander of the Algerian Front de Liberation Nationale, directing a guerilla insurgency against the colonial French occupation. Paratrooper commander Colonel Phillippe Mathieu, a veteran of World War II and the First Indochina War, is sent to Algeria to reinforce efforts to squelch the uprisings.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Pas De Blanc À La Une, by Youcef Bouchouchi, treatises the brutality of the conflict during the war of independence in Algeria from 1854 to 1962, and the systematic use of torture which pushes even the most hesitant to make up their minds.

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Combines archival material with half unpublished images recorded during the election campaign, the post-election conflict and the period of Andrés Manuel López Obrador.