Hasta que la plata nos separe

When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.

Danna Paola stars as Patito, Eleazar Gómez as Mateo, Violeta Isfel and Cynthia Klitbo, play antagonist roles as Antonella and Bianca. The telenovela features adult protagonists also, René Strickler and Vanessa Guzmán. It first aired on Sunday, 8 March 2009, as the first telenovela to debut on a Sunday in Mexico. After a year of success, becoming a major hit in Mexico, especially among children, its final episode was also on a Sunday, 7 March 2010.

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

María Alejandra Rivas Cavalier, a young aspiring surgeon with a prestigious family name, joins the highly regarded internship program at Santa María University Hospital. There, alongside a group of new friends and her relationship with renowned surgeon Andrés Guerra, she faces medical and personal challenges that shape her journey. Amid intriguing medical cases and the quest for her own path, the hospital becomes her new home and the stage where friendship, love, and sacrifice intertwine.

En Nombre Del Amor is a Mexican telenovela produced by Televisa. It is a remake of Cadenas de Amargura. En Nombre Del Amor was produced by Carlos Moreno, and filming began on August 4, 2008. It premiered in the United States July 7, 2009 on Univision and ended its run on March 7, 2010 in a two-hour grand finale on a Sunday. Starring for Allison Lozz and Sebastián Zurita, as adult stars Victoria Ruffo, Arturo Peniche with Leticia Calderón as the villain protagonist and main villain, co-starring for Laura Flores, Alfredo Adame, Víctor Cámara, and the participation of Altair Jarabo as youth antagonist.

Para Volver a Amar is a Televisa telenovela that aired on the Canal de las Estrellas channel in Mexico from July 12, 2010 to January 30, 2011. It stars Rebecca Jones, Rene Strickler, Alejandro Camacho, Alejandra Barros, and Africa Zavala. The Mexican version however is taken from the original Colombian soap opera series "El Último Matrimonio Feliz". The story is about six women who befriend each other and help each other deal with the pains of life, particularly in regards to marriage and relationships. They'll realize that even amidst their problems, happiness is not impossible to attain. It won seven Premios TVyNovelas awards for Best Telenovela of the Year, Best Male Villain, Best First Actress, Best First Actor, Best Co-Star Actress, Best Co-Star Actor, and Best Young Lead Actor. Para Volver a Amar aired in the United States on Univision from March 8, 2011 to October 28, 2011 at 12am/11pm central.

The story follows Isabel—known as "Chispita"—who was separated from her mother after the latter lost her memory in an accident. After growing up in an orphanage, Isabel is adopted by a widowed businessman, Don Alejandro; he hopes she will bring joy to the life of his daughter, Lili, who has become sad and ill-tempered since her mother's death—largely due to the influence of her teacher, the wicked Miss Irene. However, contrary to Alejandro's expectations, Isabel is not welcomed by his daughter; instead, she must contend with the malicious traps set for her by Lili and Miss Irene. Yet, Isabel also finds friends in the household, such as Juan Carlos (Lili’s older brother) and Gloria (the family’s maid). From her new home, Chispita begins the search for her mother.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

A heartbreaking story in which power, obsession, and desire will tragically mark the love between Paulina and Adrián who will fight for their love against all odds, even if it takes their life.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

Martín (Iván Sánchez) hurries to Mina Escondida after getting an urgent letter from his brother begging to be rescued from the hell in which he's living. On arrival, Martin despairs upon finding out that Demetrio (Pablo Montero), his brother, has committed suicide. His sorrow is transformed into hatred and a thirst for vengeance against the woman who caused his brother suffering and brought him to death.

Las Vías del Amor is a Mexican telenovela that aired on the Televisa channel in Mexico and Univision in the United States from 2002-2003.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

Nunca te olvidaré is a Mexican telenovela produced by Juan Osorio for Televisa in 1999. It is based on a novel by Caridad Bravo Adams and starring Edith González, Fernando Colunga and antagonistic interests of Alma Muriel, Eugenia Cauduro and Humberto Elizondo.

A spirited, humble woman named Tita vows to do everything she can to make her son Rey's dream of becoming a professional soccer player come true.

Fernanda is the youngest daughter of the landowner Gonzalo Elizalde, owner of a large dairy company, and Eduardo is the son of Soledad, the Elizalde family's housekeeper. The two children have grown up together, united by an innocent and pure love, despite the difference in social class.

¡Válgame Dios! is a Spanish-language Venezuelan telenovela written by Mónica Montañéz for Venevisión. Sabrina Seara and Eduardo Orozco star as the main protagonists while Ricardo Alamo, Carlota Sosa and Raquel Yanez star as the main antagonists.

Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

Corazón en Condominio is a Mexican telenovela produced by Azteca in 2013. It stars Victor García and Cynthia Rodríguez as the main protagonists. It is based on "Vecinos", a Colombian telenovela by Caracol. As of September 2, 2013, Azteca is broadcasting Corazón en Condominio at 7:30pm, replacing Destino. Corazón en Condominio has started filming since August 1, 2013.

Destino is a Mexican telenovela produced by Carlos Sotomayor for Televisa and originally broadcast on Canal de las Estrellas from May 21 to November 30, 1990. It is a remake of the 1976 telenovela Mundos Opuestos, originally produced by Ernesto Alonso. The story follows Cecilia Jiménez, a humble and kind young woman whose life changes after she witnesses the tragic death of a wealthy man's son. Her encounter with Claudio de la Mora leads her into a world of love, family conflicts, secrets, and revenge.

This show is located in the picturesque Oštrovac, a village on the edge of the national park. Katarina, Tomislav and Krešo will get a million euros from his grandfather - but only if they spend a year in his ruined house in Oštrovac. Otherwise, the money belongs to the locals.

La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

The life of a single, carefree man suddenly changes when he has to take care of three nieces.

Las secretas intenciones is a Mexican telenovela produced by Lucy Orozco for Televisa and originally broadcast on Canal de las Estrellas from August 17 to November 27, 1992. Created by Alberto Rudich and directed by Francisco Franco, the telenovela stars Yolanda Andrade and Cristián Castro in their first leading roles. The story follows Larisa Cardenal and Miguel Ángel Curiel, two young people whose romance is threatened by family conflicts, hidden secrets, and the manipulations of Antonieta Alcántara, a woman determined to take revenge on Larisa's family. As long-buried truths come to light, their lives become entangled in a web of love, betrayal, and ambition.

Hae-Jin is 36-years-old. She is married to Jin-Sang, who is 6 years younger than her, and they have a daughter Yoo-Ri. Hae-Jin runs a restaurant that she took over from her father-in-law. She supported her husband Jin-Sang while he studied to enter a university. Because of Hae-Jin, Jin-Sang is now attending a prestigious university, but he has an affair with Joo-Ri. She is the young daughter of a rich family. Hae-Jin becomes aware of her husband's affair, but she doesn't want a divorce. Meanwhile, Dae-Gu appears in front Hae-Jin. Dae-Gu is a drama series writer. He was once in demand for his screenwriting, but his popularity has waned. His marriage life is not doing well either.

Gabriela is a good and generous young woman studying at a university, without knowing who pays for her education since she has no family. After a series of circumstances, she decides to replace a classmate Leticia, a rich and vicious girl who after escaping never returned home.

In this new era, Catalina, now head of the DEA in Colombia, has a new challenge: to track down a criminal organization that is trafficking a new synthetic drug. What she ignores is that her daughter is part of the Cartel that traffics them and that Yésica, her worst enemy, is infiltrated in the DEA.

El amor no tiene precio is an American telenovela. It aired in 2005 until the series finale in 2006.

It follows the lives of four housewives and the everyday problems and mysteries that surround their husbands, friends, and neighbors, which are sometimes more sinister than they appear.

María Dolores is a beautiful woman dating Arturo. He is an unscrupulous man who takes advantage of María's kindness to deceive her; he eventually abandons her to marry another woman. Some time later, Arturo attempts to seduce María. She tries to resist, and a struggle ensues during which Arturo dies. María is found guilty of his death and imprisoned. While in jail, she vows never to trust—let alone get involved with—a man again. After her release, María meets Gustavo, a lawyer who falls in love with her. Through him, she learns to trust men once more. Ultimately, she marries Gustavo, and they live happily.

A comedy-drama following a chaste young woman who is accidentally impregnated via artificial insemination as she struggles to inform her devoutly religious family and make the right choices concerning the child. Based on the telenovela "Juana la virgen."

Ángeles blancos is a Mexican telenovela produced by Carlos Sotomayor for Televisa and originally broadcast on Canal de las Estrellas from September 3, 1990, to February 1, 1991. Created by Jorge Patiño, with the participation of José Antonio Olvera, the telenovela stars Jacqueline Andere, Rogelio Guerra, and Alfonso Iturralde. The story follows Rocío Díaz de León, a cardiologist who loses her husband Augusto shortly after their wedding during a tragic robbery. Later, she saves the life of Jorge Pades, a pilot who suffers a heart attack during a flight. Their encounter leads to a complicated love story, as Jorge is already married and must face personal conflicts, family secrets, and a difficult search for a heart transplant that could save his life.

Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

Guddi is a young girl who lives a happy life with her parents. Unbeknownst to them, she can see premonitions. However, her ability soon turns into a nightmare when she foresees her parents' death, and it tragically comes true. After losing them, Guddi finds shelter with her uncle and aunt, but they oppress her. In her toughest moments, she prays for help and receives it most unexpectedly-from a doll, the last gift her parents gave her. As the doll assists Guddi through her toughest times, others begin to learn of its power.