Nine Points of the Law

A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.

A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.

Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.

A wandering cowboy gets caught up in a range war.

Searching for a doctor who can help him get his son to speak again--the boy hadn't uttered a word since he saw his mother die in the fire that burned down the family home--a Confederate veteran finds himself facing a 30-day jail sentence when he's unfairly accused of starting a brawl in a small town. A local woman pays his fine, providing that he works it off on her ranch. He soon finds himself involved in the woman's struggle to keep her ranch from a local landowner who wants it--and whose sons were responsible for the man being framed for the fight.

Nevada Smith is the alias of Max Sand, the son of an Indian mother and American father. When they are killed by three men over gold, Nevada sets out to avenge them. The young man is taken in by a gun merchant who shows him how to shoot, on time and correctly.

There's a box social coming up, and Curly asks Laurey if she'll be his date. Trouble is, Laurey thinks he's waited too long, and in a fit of pique accepts an offer from the boorish ranch hand Jud instead. Meanwhile, Laurey's friend Ado Annie is also torn between two men: cowboy Will and foreign peddler Ali Hakim. Both women struggle to know their own hearts before it's too late.

Pacer Burton, a young man of mixed Kiowa and white heritage, is caught between two worlds as conflict erupts between Native Americans and white settlers in Texas.

Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...

One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

A con man heading west to search for gold teams up with a pair of scheming brothers along the way. The trio soon find themselves in the middle of a feud between two rival families and two underhanded land developers.

An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshal arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.

A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.

A man and his partner arrive at a small Western town to kill its most powerful man because the former blames him for his wife's death.

At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.

A roving bachelor gets saddled with three children and a wealth of trouble when the youngsters stumble upon a huge gold nugget. They join forces with two bumbling outlaws to fend off the greedy townspeople and soon find themselves facing a surly gang of sharpshooters.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."

Jake Wade breaks Clint Hollister out of jail to pay off an old debt, though it's clear there is some pretty deep hostility between them. They part, and Jake returns to his small-town marshal's job and his fiancée only to find he has been tracked there by Hollister. It seems they were once in a gang together and Jake knows where the proceeds of a bank hold-up are hidden. Hollister and his sidekicks make off into the hills, taking along the trussed-up marshal and his kidnapped bride-to-be to force the lawman to show them where the loot is.

In a modern cow town, the powerful ranch owner’s henchmen kill a ranch hand, prompting the sheriff to investigate despite facing strong opposition. He finds an unlikely ally in the rancher's overprotected daughter, but their quest for justice puts them both in danger.

'Firebrand' Jordan is a ranger sent into the high Sierras to assist the local Sheriff Ed Burns in capturing a mysterious band of counterfeiters.

Curley Smith, a lieutenant of the Texas Rangers, gets chased by a band of smugglers after getting caught spying on them and becomes injured. Anita, the daughter of the chief smuggler tends to him and the two of them fall in love. Dean, a member of the renegade, becomes jealous of their romance, and will do whatever he can to get rid of Curley - fair or foul.

Dean Randall is a hero of the Great War who comes home to his horse and his father's ranch. When back he saves a family in a wagon train -- a father, daughter Grace, and three orphan children.

Dave Collins is a young man who is bequeathed a ranch on the condition that he marry the late owner's granddaughter Lucille. But when he arrives at the ranch with young sidekick Spuds in tow, Dave finds that a distant relative of Lucille's, Ray Foster, has taken his place. Foster hires tough Bart Haywood to kill his rival, and soon our hero is hogtied to a handcar in the path of an approaching train.

The famous black cowboy Bill Pickett shows his prowess in rodeos. Only small parts of the film survive.

Cyclone Pete, the Terror of the Plains, is feared alike by red men, yellow men and white man, but in an evil moment he advertises for a wife, and gets one with an amiable exterior but an iron will. The Terror of the Plains tries to tame his bride, but the glaring eye which strikes terror into every male heart simply amuses the new wife, and the things she does to that poor, innocent, helpless 'terror of the plains' are really a shame. Eventually they part company, and Pete becomes a highwayman and holds up a stage coach. He strips all the male passengers of their valuables. The last passenger is a woman. She will not give up a cent, and when the 'terror' insists, the heroine suddenly knocks 'him where he lives,' tears off his mask, and husband and wife are face to face. Then she leads Pete home by the ear, and finally turns him into a decent citizen.

A short silent western produced by Gaston Mèliès in San Antonio.

"A senorita. With whom two young matadors, Jose and Pepe, are in love, tries in keep both on the string. She lends each to believe that he is the chosen one, creating a strong jealousy between them. Pepe calls to see the girl and she receives him with a show of great affection and preferment. While they are courting, a caballero, friendly to the other lover, Jose, tells him of the girl's duplicity. In a rage he goes to his inamorata and, demanding an explanation, accuses her of harboring his rival in the house. She cajoles him, and playfully stealing his dagger from him without his knowing it, endeavors to hold his attention by caresses as Pepe tries to make his escape. Unfortunately he is seen and pursued by the enraged Jose, who, coming up with him as he seeks the protection of a priest busy pruning trees in the grounds of the monastery, engages in a terrible struggle in which the priest Is powerless to interfere." - Moving Picture World synopsis excerpt

"Swift Arrow, a lithe and willowy Indian, leaving the encampment of his fellow braves, is well on his journey when he is thrown from his horse and receives a broken leg and injuries from which he is disabled and lies helpless and alone." -Moving Picture World Synopsis excerpt

Braggs, the young western settler, comes into view leading his broncho while he leads his little child on the horse's back. Placing the child on the ground and watering the pony, he takes his knife from his pocket to make an extra hole in the saddle strap. The knife slips and penetrates his wrist, severing an artery. His wife comes to his assistance, makes a tourniquet with strips of her apron, jumps on the broncho's back, bids her husband to care for the child and keep up courage while she rides to town for the doctor.

In the farewell beams of evening the pioneer with his wife and child stop the prairie-schooner and strike stakes for the night. Sounds of the Indian war cry disturb the quiet calm, and seen approaching in the distance is a band of savage red men. Terror-stricken, the settler seizes his gun and stands ready to defend his family. At the first volley from the Indians' rifles he falls dead. The brave wife makes a desperate resistance to protect her child. The poor woman is quickly slain by the hostile savages, leaving the helpless babe to their mercy.

Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.

Ben Darby and Pancake, his father, are owners of a mining claim in Northwest Canada. Ben goes to war, leaving Pancake to run the mine. During Ben's absence three claim jumpers take possession of the mine: one of the men is the father of Beatrice, Ben's sweetheart; another, a rival suitor. Pancake is murdered when he and Ben plot to regain the claim. Ben kidnaps Beatrice, resolving to obtain revenge through her. Ben finds that she knew nothing of the stolen claim and that her father was innocent of Pancake's murder. Ben then resolves to find the culprit and bring them to justice.

Lorna is a woman and she is all business when it comes to running the "L.L." Ranch and she has no trouble in handling it and the "boys" who work for her, especially "Jeff," her foreman, who gives her a hand. She evidently appreciates his services and thinks him a handy and pleasant fellow to have around, her "Runs" are the best in Texas. There is a question of title to her land. Finally the Supreme Court decides against her and she is obliged to turn the "L.L." Ranch over to Sir Reginald Coutts-Harcourt, in whose favor the decision has been made.

From force of habit, some might call him a "Greaser," true, he is a Mexicano; he is no more, a man of noble instinct and chivalrous nature. He falls in love with the American ranchman's daughter, and while she appreciates his sincerity, she does not return his affection for her. Tony not only loves, he respects her, and will not inflict his attentions upon her, and will not inflict his attentions upon her, neither seeking recognition nor reward.

Margie, of the "Flying B" ranch, knew it was to run across a snake in the tall Texas grass, but she did not realize that there are people who, like snakes, conceal themselves until they are ready to sting. Consequently, when a sleek looking tenderfoot asked to become a boarder at the "Flying B" Margie favored him, though her father was suspicious. Margie is soon smitten with the stranger, much to the chagrin of Jack, the foreman, with whom Margie had previously been very friendly. Jack does not get ugly over the matter, but keeps his eyes open.

"I do hate learnin', but oh! you schoolmarm!" is what the boys at the gulch said when Mary came to town; and, from "Big Bill" down to Hop Lee, the Chink, they all took to study, and to courtship. The rivalry is friendly until the new foreman blows in and takes the inside track, then "Big Bill" gets jealous. At the swell (?) reception the foreman cuts Bill out and Bill decides to "lay for him." The foreman soon discharged a greaser who later robs the paymaster and contrives to fix the blame on the foreman.

Bill Sanders, sheriff of Alkali County, gets a warrant for Red Rube, the tough. He gives it to his deputies to serve, but Rube gets busy with the strong arm and makes them look like monkeys. When several installments of deputies have failed, Bill Sanders gets on the job himself. Bill not only knows how to juggle the 44 Colts, but he keeps gray matter in his skull. In going after Red Rube, he decides to rely on his brains instead of his hardware. He disguises himself as a tenderfoot, arms himself with a camera, and gets on Rube's trail. Things are warm and lively thereafter, but Sanders gets his man, and the honor of Alkali County is preserved.

It is a beautiful morning in Indian Summer, and White Doe is out in her birch bark canoe, engaged in a fishing expedition for food. She paddles home under the overhanging trees and vines, lights the small fire in front of her tepee and cooks her primitive breakfast. The air is bracing, the birds are singing, life is free and good. Also White Doe is happy for she had caught a gleam of admiration in the eyes of a stalwart cowboy, when she visited a ranch a few days before with her offering of plaited baskets and the famous blankets of her Navajo tribe. She begins her work of basket weaving, dreaming the love dreams of her people and her heart singing with coquetry and the happiness of conquest, for she is also loved by a brave of her tribe, a wealthy son of a chief with a hundred horses.

Tony Valero, a lusty young vaquero, is enamored of Clarita Montes, whose father is fairly well off, as the middle class Mexicans figure. Clarita prefers Tony to her numerous admirers, but the father has selected, for his future son-in-law, a young dandy called Jose Rodreguis, who has a certain amount of money which allows him more ease than his neighbors. Jose trades upon this fact and presses his attentions upon Clarita. He bitterly resents her preference for Tony and does all in his power to belittle his rival.