Live in Japan 93/96

A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

A filmed version of David Byrne's Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

In January 2015, at the MGM Grand Garden Arena in Las Vegas, the final nights of the "20/20 Experience World Tour", director Jonathan Demme captures what makes the show soar: gifted musicians, deft dancers and a magnetic star.

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?

The incomparable Bruce Springsteen performs his critically acclaimed latest album and muses on life, rock, and the American dream, in this intimate and personal concert film co-directed by Thom Zimny and Springsteen himself.

Grammy® winner singer-songwriter Olivia Rodrigo takes a familiar road trip from Salt Lake City, where she began writing her debut album “SOUR,” to Los Angeles. Along the way, Rodrigo recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life. Through new live arrangements of her songs, intimate interviews and never-before-seen footage from the making of the album, audiences will follow Olivia along on a cinematic journey exploring the story of “SOUR.”

Rock In Rio Festival 2001 - Iron Maiden headlines one of the biggest shows on Earth to a massive sell-out 250,000 crowd and a global TV audience of millions. The explosive two hour set, shot using 18 cameras and edited by Steve Harris, is Maiden at its best, performing their biggest show ever on the final date of their Brave New World Tour.

A portrait of singer-songwriter Shawn Mendes' life, chronicling the past few years of his rise and journey.

The Up in Smoke Tour is a West Coast hip hop tour in 2000 featuring artists Ice Cube, Eminem, Proof, Snoop Dogg, Dr. Dre, Nate Dogg, Kurupt, D12, MC Ren, Westside Connection, Mel-Man, Tha Eastsidaz, Doggy's Angels, Devin The Dude, Warren G, TQ, Truth Hurts and Xzibit.

A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.

Ariana Grande takes the stage in London for her Sweetener World Tour and shares a behind-the-scenes look at her life in rehearsal and on the road.

Experience the meteoric rise of Oasis through rare footage and untold stories as the band reunites for Oasis Live '25, chronicling their journey from Manchester streets to global rock stardom.

Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.

Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.

Documentary about the arena-packing Swedish DJ, chronicling his explosive rise to fame and surprising decision to retire from live performances in 2016.

Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.

Over four decades, Motorhead frontman Lemmy Kilmister has registered an immeasurable impact on music history. Nearly 65, he remains the living embodiment of the rock and roll lifestyle, and this feature-length documentary tells his story, one of a hard-living rock icon who continues to enjoy the life of a man half his age.

An intimate portrait of Brooklyn-based electronic rock band LCD Soundsystem's then-final live show on April 2, 2011, capturing both the exuberant, three-hour farewell concert at New York City's Madison Square Garden and frontman James Murphy's introspective 48 hours surrounding it.

In 1987, to capitalize on his growing success in Europe, Prince toured extensively to promote the album of the same name and sales increased accordingly. However, the United States remained resistant to his latest album, and sales began to drop; it was at this point that Prince decided to film a live concert promoting the new material, for eventual distribution to theaters in America. Featuring the band that accompanied Prince on his 1987 Sign o' the Times Tour, including dancer Cat Glover, keyboardist Boni Boyer, bassist Levi Seacer, Jr., guitarist Miko Weaver, drummer Sheila E. and former member of The Revolution keyboardist Dr. Fink, the film sees the group perform live on stage (although "U Got the Look" is represented by its promotional music video).

Belgian jazz is enjoying a renaissance, driven by artists mixing jazz and electronic music. Around the Volta in Brussels, groups like Echt! and Tukan are reinventing the genre and exporting this ‘Brussels Sound’. This Jam documentary explores the effervescence of Belgian jazz and its international impact.

When the Lutheran pastor Roland retires, the young priest Roll shall replace him. He plays the trumpet, loves Jazz and his methods are unconventional: From the first day on he offends the village's notables, but he doesn't care so much since he especially targets the youths, wants them to get back to the church again. However the mayor agitates against him, manages to endanger Roll's success. The conflict leads to vandalism and open violence against Roll.

Just released from prison, Jake Blues puts his old band back together with his brother Elwood to save the Catholic home where they were raised.

Documentary exploring the meaning and history of cool through the American music that started in the 1940s in the bars of New York and LA, and became known as cool jazz.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

The Very Best of Diana Krall is the first greatest hits album by Canadian singer Diana Krall.

The concert held at the ZDF JazzClub in Stuttgart in 1988 was played by Oscar Peterson together with the drummer Kenny Drew and the double bass player Dave Young. Their collaboration had begun in 1974. For Drew, who was British, it lasted until 2004, while the Canadian Young was a regular member of Peterson's trio for 25 years. Jazz classics, including a medley with five compositions from Duke Ellington's repertoire, form the core of the concert.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

A live recording of a jazz concert dedicated to the memory of Karel Růžička, who was the teacher of pianist and composer Tomáš Sýkora. Together with his trio and the Czech Radio Symphony Orchestra, Sýkora will perform Růžička's famous composition "Lovebird," which was originally written for a chamber ensemble and jazz quartet. Sýkora has also enriched it with a new arrangement. The concert will also feature Sýkora's five-movement suite "Hidden Songs" and the extensive suite "Grace and Gratitude," which was based on compositions by Růžička's son, saxophonist and composer K. Růžička Jr. The compositional inventiveness of both Růžičkas and T. Sýkora complements Sýkora's art of sensitive and effective orchestration perfectly in both compositions.

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

Jutta Hipp defied the odds and made it to the heart of the male-dominated jazz scene in 1950s New York.

One of the true legends of the jazz scene, Miles Davis was not only a virtuoso on the trumpet, but also one of the founders of cool Jazz, Groove, Hard Bop, and Fusion. Available for the first time completely digitally re-recorded is Davis' live performance in Montreal with rare concert footage. This is a must-have for all jazz lovers.

Carlos Santana's concert at the New Orleans Jazz Festival. Recorded April 26 & 27, 2014.

Crazy is the story of a legendary guitar player who emerged from Nashville in the 1950s. Blessed with incomparable, natural talent, Hank Garland quickly established his reputation as the finest sessions player in Nashville.

In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.

John Zorn: alto sax, vocals Bill Frisell: guitar Wayne Horvitz: keyboards, piano Fred Frith: bass Joey Baron: drums