Letters from a Window

Clinging to a smooth, curved surface high above a sentient abyss, a woman tries to cover the few feet back to safety without losing purchase and falling to her death.

A unique friendship develops when a little girl and her dying mother inherit a cook - Mr. Church. What begins as an arrangement that should only last six months, instead spans fifteen years.

While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.

As a serial killer stalks the city, Julia — a young actress who just moved to town with her husband — notices a mysterious stranger watching her from across the street.

Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.

The story of a young writer's transformation when her past invades her present.

When five ragtag freshman first meet in detention, it seems they have nothing in common. But, through music, they form an unbreakable bond and discover they have the makings of the greatest high school garage band in history! In the face of incredible odds, Olivia, Stella, Wen, Mohini and Charlie find they can make a real difference when they learn to lean on each other and let go of everything holding back their dreams.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.

A recently single Jessica sends Christmas cards to people who have impacted her life—the aunt who raised her, her younger brother in the military, a popstar who was part of the soundtrack of her life, the music teacher who inspired her, and the best friend who always tells the truth.

A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.

As a top student at St. Adeline's Catholic Boarding School, Zoe senses that something is not quite right about the school's new nun-- a sense proven to be true when it is revealed the "good' nun is an imposter with a fatal attraction to Zoe's brother.

Suffering from a severe case of depression, toy company CEO Walter Black begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter pushes for his parents to get a divorce.

When Polly receives a mysterious box, it comes with one rule: place inside something she needs, something she hates, and something she loves. If she doesn’t obey, it will consume everything—and everyone—she’s ever known.

After an attack renders her blind, Ellen withdraws from the world to recover. But soon she plunges into paranoia, unable to convince anyone that her assailant has returned to terrorize her by hiding in plain sight.

94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.

When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.

When an alien takes the form of a young widow's husband and asks her to drive him from Wisconsin to Arizona, the government tries to stop them.

Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.

Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.

It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).

The ground holds accounts of once pagan, then christian and now muslim ruins of the city built for Aphrodite. As she takes revenge on Narcissus, mirrors reveal what is seen and surfaces, limbs dismantle and marble turns flesh.

Blu animation takes a circular trip around a room

Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.

A somber journey on the road. A post with three lights. A crowded street. Stashed cables. The city. A grey square. The sun's reflection. The sun. Going back home.

Women, landscapes and manifestations of color meet experimentally with the possibilities of the artisanal copying technique on 16mm.

Starting from frame by frame in-camera editing, the film translates a nursery garden from Chillán into a filmic landscape, with a rhythm and structure coming from a personal relationship with color, light and occurrences that took place near the end of the summer at the Olaxis garden. This is the first part of a work which takes reference from Violeta Parra's poetry, created from flowers, plants and certain places of the Ñuble area.

The arrieros hold the lamb's body with their hands. The knife cuts the animal's throat and blood cascades out.

By painting and scratching directly on celluloid strips and then duplicating each image for two or more frames, Brakhage produced a flickering cycle of abstract shapes that bespeak the restlessness of his own character and sensibility; the titles of the segments (which Brakhage also intended to function as freestanding films) further emphasize his rejection of collective thinking in favor of personal vision. I..., proposes an unstable image of the self with its centerless collisions of diverse imagery. Small black shapes are superimposed over diffuse colors, and each moment seems to consume and obliterate the last in an emotionally charged rush that suggests a consciousness terrified of stasis and perpetually seeking renewal.

Performance with live audio equalization.

A mass murderer kills his victims, then cooks and eats them

A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.

An experimental film that explores loneliness and depression in a brash and colourful way.

The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.

Images harvested on a farm in Mount Forest, Canada, captured with a hand-cranked Bolex on 16mm sound stock. Hand-processed in buckets in shimmering red light down by the old stables. A glimpse through the cracks, somebody is walking in the meadow, trees and flowers trembling in the wind. A world that only film can see, a material flow emerging from the coupling of camera, celluloid, silver salts, chemicals, light particles and the hand of the filmmaker. The film was entirely processed by hand and chemically treated: overexposed images were brought back to life with bleach, other images were solarized and reversed.