Almost Illegal #1

American Movie documents the story of filmmaker Mark Borchardt, his mission, and his dream. Spanning over two years of intense struggle with his film, his family, financial decline, and spiritual crisis, American Movie is a portrayal of ambition, obsession, excess, and one man's quest for the American Dream.

Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia's outdoor venue, Lincoln Financial Field.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

In this documentary, filmmaker Nick Broomfield follows the saga of Aileen Wuornos, a prostitute who has been accused of committing a brutal series of murders. Broomfield conducts interviews with Wuornos herself, and his crew films her trial as well as her interactions with religious fanatic Arlene Pralle, who gives Wuornos dubious advice and legally adopts her. The cameras also roll as the accused's attorney ignores the case at hand to negotiate a deal to sell his client's story.

This 1981 video magazine “For the Man Who Wants More…” contains Monte Hellman’s short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios, “Inside the Coppola Personality” (aka “Coppola: A Profile”). Also inside is “Modesty”, a self-portrait by Bob Rafelson, shot by Bruno Nuytten; a portrait of a pubic hair dye specialist; a travelogue on Bangkok; a candid camera with a planted hussie at a gas station. a.o.

A few couples initiate inquisitive sex techniques in complicated positions while a scientific commentary provides the cultural-historical background.

Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.

A distinguished surgeon, married to a beautiful woman, has the habit of watching his wife in secret. The man decides to grant his wife to the owner of a refined brothel to be able to observe her from behind a mirror.

A hippie tells a story to his wife about four hedonists who lived in an old house. The hedonists pass their time discussing various topics and arguing. One night, a spirit haunts them and drives them insane. When the story is over, the hippie’s wife gives birth.

Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.

After reading about beautiful women killed in a gruesome manner during the recent months, Akiko tries to nail down the sick serial killer herself. What she does not know is that the killer has already targetted her as his next victim.

A private eye who's over his head in debt takes on a job snapping photos of his client's rich husband in bed with another woman. But when the husband winds up with three bullet holes that seem to have come from the private eye's own gun, he's got to prove he's not the murderer meanwhile getting tangled deeper in a web of deceit, lies, and steamy night club dancers!

This is the story of a Sicilian woman that tries to have avidly as many sexual adventures as possible. She uses different identities and personalities, but she can't stop collecting adventures. One day she meets Valerio, a young student who falls in love with her.

A young man's dreams come true when the sexy new maid seduces him. But she has a secret that leads to trouble.

A single eventful night in the lives of a crew of Los Angeles-based, trans-Pacific stewardesses, as they experiment with drugs and engage in various sexual encounters. The Stewardesses is a 1969 Softcore 3-D film. Produced on a budget of just over $100,000, the film grossed over $27,000,000 (USD) in 1970 dollars, becoming the most profitable 3-D film ever released.

This 70's soft-core sex comedy chronicles the exploits of several flight attendants whose favorite perk-of-the-trade is the ability to flit from one sexual adventure to the next. The mile high club takes on a new meaning as the swingin' German heroines make their way throughout Europe.

Nakazu, Uno and Toshida…three drunk buddies on their way home from a baseball game who decide it would be a great idea to visit Shogun, a notorious brothel in a nondescript area of suburban Japan. New to the world of “love hotels”, Nakazu is uneasy as he steps into this strange place, wracked with guilt over his new fiancée. As his two friends select women and disappear into the doors of the love hotel, Nakazu hears the tortured screams and begins a bloody battle with the women of the HORNY HOUSE OF HORROR!

Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.

A collection of numerous burlesque acts from the 1950s, including strippers, and cult character Betty Page introducing the acts.

This Softsex-comedy points out what people are doing everything so when they feel unobserved in their closed doors.

An oft-naked male reporter decides to do an expose on "sexual widows", housewives who are neglected by their busy husbands. - This cheaper sex film is disguised as a report about green widows.

Tis is the 8th part of series. Another story based on what real-life German teenagers schoolgirls of the day were up to...

Schoolgirls before high school graduation - By law they are of age, but despite their physical maturity, both innocent and experienced young women can get into big trouble. The 9th Schoolgirl Report reveals the sometimes grotesque transition from youthful rebellion to responsibility. Six different stories reveal tender confessions and sensational revelations that get to the heart of young adults' desires and problems.

Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.