Koan IV

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

A documentary about the life and films of director John Ford.

The life and career of an actor, artist, and icon. His own journey through his own camera.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon as he takes his live podcast on a national tour.

A real-life undercover thriller about two ordinary men who embark on an outrageously dangerous ten-year mission to penetrate the world's most secretive and brutal dictatorship: North Korea.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

Home is where we grow up or settle permanently. And this home is always shaped by nature. Today, we human beings change and shape this more than any law of nature. HEIMAT NATUR is a visually stunning journey through the nature of our homeland, from the peaks of the Alps to the coasts and the depths of the North and Baltic Seas. In between is a cinematic foray through steaming forests, shimmering moors, over rose-blossoming heaths and the colorful cultural landscape around our villages and towns. In extraordinary images this nature is shown from its most beautiful side, examining the state of the native habitats. Slow-motion and time-lapse photography as well as intimate shots of familiar and unfamiliar species, some filmed for the first time, making the film a cinematic nature experience for the whole family.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

With more than 300 days a year, the sun dominates this country so much that it’s even shining from their flag. It’s a barren land, sometimes it’s like it’s from another planet but still familiar. It is land of contrasts and colours with wide landscapes and fascinating deserts. Influenced by various cultures during colonization and now reborn from the shadows of Apartheid in 1990, Namibia gives a beautiful collage of culture, language, art, music and food. Everyone who loves an adventure should travel to Namibia, the precious corner of our world full of incredible natural wonders. The experience of endless landscapes and an unparalleled blaze of colour make Namibia unforgettable. NAMIBIA – THE SPIRIT OF WILDERNESS invites you on a trip whose fascination will never let you go: From the Namib Desert over the breath-taking Fish River Canyon to the spectacular Etosha National Park where you will see wild elephants, antelopes, giraffes, zebras and lions.

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

IJswee is a documentary film about an ice club, a village and the warm winters. In the film we follow Oringers, the inhabitants of Odoorn, through the winter. The Oringers all experience IJswee in their own way. You will also see the Icecounter (Rafael van der Ziel), who builds ice sculptures and drinks frozen milk. You see the Drenthe countryside changing with the weather. You see animations, archive material and you hear the mysterious sounds of IJswee in the music of Wietse de Haan. And there are two trumpet players, who welcome winter with their music and say goodbye to it.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

In spring 1997, after several delays, The Video Dream Mixes was released. It features music material from The Dream Mixes, combined with films of US landscapes and alienated sights of Venice, pictures and computer animated graphics and virtual views from outer space. The film material was mixed up with clips showing the band on stage or during journeys. Most of the material was filmed by Edgar Froese.

A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!

Annette Philo brings us to the Scottish landscape and its associated dream-like mystique. With gentle overlays, vivid purples and blues, and alluding to the hidden graves of the last of the Knights Templar, Philo’s depiction of bluebell island lulls us into a contemplation on the duality of what we see for ourselves, and what is cultivated as cultural, historical and national identity.

The documentary shows the remarkably diverse landscapes of the Serchio Valley, from the Apuan Alps to the Tyrrhenian Sea.

Five portraits of artists discuss narratives that reflect how queer and trans creatives understand themselves, their histories, and their representation in relation to environment and landscape, created with care-led practices of audiovisual archive remixes, interviews and collaborative performances. These interventions weave through each artist’s practice in photography, spoken word, performance, sculpture and music, moving towards an expansive language of BODY(s) and LAND(s).

Landscapes are permeable, impermanent. They are hallucinations of literature, manifestations of human manipulation. Like the pixel, they are degraded, rearranged, forgotten. “Eclogues” is an expression of landscape in the purest principles of digital image-making: duration, practicality, limitation. Shot in 2020 in Strafford, Vermont.

The Observed questioning the Observer and the Observing.