Words Are Limited, Feelings Are Not

Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.

In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

With mesmerizing footage and time lapses of animators at work, this behind-the-scenes special captures the artistry of a unique tale years in the making.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness. This uniquely raw and intimate documentary spans her six-year journey into a new light.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

A tribute to Chadwick Boseman, celebrating his life and legacy.

The life and career of an actor, artist, and icon. His own journey through his own camera.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.

Brad and Barbara Washburn were filmed by National Geographic and RKO Pictures on their ascent of Mount McKinley in Alaska. The film is a pictorial record of the first scientific conquest of Mount McKinley, filmed with the cooperation of the Boston Museum of Science. The short is part of the RKO's 'This is America' documentary series.

The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.

After the publication of a CD book with the poems of Leopoldo María Panero, musicians Carlos Ann and Enrique Bunbury travel to the Canary Islands to meet the "cursed poet", who is hospitalized in the psychiatric hospital of Las Palmas.

The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.

The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

Arguably Larry Gottheim’s most exuberant experiment in the single-shot, single-roll format (and his first with a soundtrack), HARMONICA trains the camera on a friend improvising a tune in the backseat of a moving car. Held out the window, the harmonica becomes a musical conduit for the wind, while Gottheim's film transforms before our eyes into a playful meditation on wrangling the natural elements into art. - Max Goldberg

Constructing a solitary reality by imagining what life would be like after the passing of her parents, director Allison Chhorn's intricate docu-fiction chronicles her own process carrying on work in the family's titular 'plastic house'.

Students from nine nations unite on August 7, 1950 at the Franco-German border near Germanshof, tear down the barriers and remove the border posts and barriers, which they burn in a ceremony. This act is a commitment to Europe and a protest against the arbitrariness of borders between nations.

We look first at Westminster Abbey and the Towers of Parliament. And the sight-seeing only starts there as it continues to all the famous buildings of London.

Two friends walk and draw circles. It is what it is, idizwadidiz, c’est ce que c’est, seskecé. Nice weather.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Two halves split by the perseverance of a scorpion. Come on, feet.

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.

An eight-hour contemplative epic, entirely starring sheep.