Edwige Feuillère en scène

Touching on bulimia, death and cat sodomy, this French actress and comedian is keen to push the envelope in a one-woman show with understated flair.

France's darling comedian came back in force on the boards in the fall of 2009 with this hour and a half show, inspired by her experience of motherhood and her daily life as a young mother .

Comedian Florence Foresti supersizes her act in an arena show packed with sketches, celebrity impressions, epic dance routines and special guests.

Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.

Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.

At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

Comedian and actress Nikki Glaser is back in her second HBO special, diving into a wide range of topics including why she doesn't want kids, the harsh realities of aging, her sexual fantasies and more.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made.

Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.

Filmed at the New York Comedy Festival, comedian Patrice O'Neal stars in his first and only full-length stand-up special. Featuring 40 minutes of additional content not seen on television, Patrice brings his trademark absurdism and friendly yet no-holds-barred style to material on race and gender politics, relationships and more.

After a whirlwind couple of years, Ali Wong returns to the stage to dish on the highs, lows and surprises of dating post-divorce.

Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

Louis C.K. muses on religion, terrorism, small towns, Florida, disabilities, dogs, Auschwitz, marriage, sex, vegans, and his personal sexual controversy, in a live performance from Washington, D.C.

Garkfunkel and Oates: Trying to Be Special is the first special by the musical comedy duo of Kate Micucci and Riki Lindhome. The pair filmed the special at the Neptune Theatre in Seattle, and it features songs, comedy, and a new Garfunkel and Oates music video.

In this unique and dynamic live concert experience, Louis C.K.'s exploration of life after 40 destroys politically correct images of modern life with thoughts we have all had...but would rarely admit to.

In her first-ever HBO solo special, Sarah Silverman takes the stage for an evening of adults-only stand-up comedy. Taped live in front of an intimate audience of 39 fans at Largo, a music and comedy club in Los Angeles, Sarah Silverman: We Are Miracles features Silverman taking aim at such subjects as cell-phone porn, crazy religions, specialty deodorants, terrible roommates, eyebrow waxing, her 19-year-old dog, Obama and Republicans, having babies, Pixar movies, the miracle of existence, and more.

Eddie arrives on stage through a huge book which opens to reveal herself sitting at the top of a staircase. Then discusses Caesar dog food, 24 hour garages, Latin, and winds her way through James Bond gadgets, Einstein and Pavlov.

Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.

Fatty induces wife to let him take a day off to go to the celebration at San Diego. He has a wonderful time, flirting with the girls, breaking up a parade, fighting the police force and falling into the fountain with him, escapes, and with the crowd after him, leaps into the river. Here he rescues a little boy and becomes a hero. He goes home to wife in a bedraggled condition, tells of rescue and is set upon a pedestal. Wife, as a reward, takes him to the movies at night and sees husband flirting and fighting in the fountain, where some enterprising cameraman caught him. That explaining, as she thought, the bedraggled state in which he arrived home, she turns and beats him all the way home.

Three actors in search of lost dignity.

A Small Time Act is a 1913 movie starring Ford Sterling and Roscoe Arbuckle.

A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the production in a rather unusual way.

The enterprising Anton Klapproth runs a flying duck farm in the Eifel, but now he finally wants to experience a real adventure in the big city of Cologne. A visit to a sanatorium for the mentally ill seems particularly sensational to him, as there is certainly a lot going on there with the "Jecken" and would provide plenty of story material for his regulars' table. In return for a loan, Anton's nephew allows his uncle to stay at the Pension Schöller. However, the guests there are by no means mentally ill, just rather eccentric. However, the unsuspecting Anton has a great time, thinking he is in a psychiatric institution.

A young wealthy duchess wagers her family fortune, in an instant her life could change, but doesn't

Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.

Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.

It's not easy to find good staff these days, but when your good Adele has extra-lucid gifts, life becomes clear: Adele can tell you all the disasters to come.

Roni Beck is a man whose only thought in life is to become a professional comedian, but who due to his lack of success must live hidden in his mother's appartment in an old people's home, continuing to believe firmly that his day in the limelight will come. One day Serge Grätzer, the director of the old people's home, discovers Roni, and makes him help out with the work. Serge then decides to take a hand in Roni's career, embezzling money to launch the budding comedian. Once again however success eludes Roni. In the end Serge decides to fulfil his own secret longings to be on the stage. This leads to a row between the two men. Despite a reconciliation, they never again appear together on the stage. And when Serge's embezzlement is discovered he has to flee with the police at his heels and the home has to be closes. In the end, Roni persuades Mr. Klein, an eccentric old man who likes to play the stock market, to save the home with the millions he has stashed away.