Ultramarine

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

Charlie Brown is determined to win the big baseball game. But things turn into a fiasco right before the matchup, when Sally bonds with a little flower on the pitcher's mound and vows to protect it at all costs.

When Polly receives a mysterious box, it comes with one rule: place inside something she needs, something she hates, and something she loves. If she doesn’t obey, it will consume everything—and everyone—she’s ever known.

When a radio falls from the sky into the hands of a wide-eyed Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events.

When the cast comes off his once broken arm, a 12-year-old boy can throw a 100-mile-an-hour fastball, and the Chicago Cubs want him as their new pitcher.

Examines the life and career of singer Whitney Houston. Features never-before-seen archival footage, exclusive recordings, rare performances and interviews with the people who knew her best.

A tale of a long-legged bird's journey of blissful joy, inescapable greed and the accidental discovery of the consequences when too much is not enough.

Gotham City is under siege by a series of bizarre crimes and only the world's greatest detective, Batman, can unravel the mystery! The trail leads to none other than the Penguin and his Animilitia, an animal-inspired squad of villains including Silverback, Cheetah, Killer Croc and the monstrous Man-Bat.

86-year-old Irving Zisman is on a journey across America with the most unlikely companion: his 8 year-old grandson, Billy.

Upon learning that he is from New York City, a wide-eyed boy, who is half human and half alligator, decides to leave his sheltered life in the swamp and search for his long lost father. A musical adventure.

An investment banker loses everything and must discover what's really important in life.

Left on the doorstep of an orphanage run by nuns, three newborn knuckleheads grow up to be finger-poking, nyuk-nyuking janitors named Larry, Curly and Moe. When they learn that financial problems will soon force the only home they've ever known to close, the trio sets out to raise $830,000 in one month. Out in the world for the very first time, the three innocent bumblers become embroiled in a murder plot and find stardom on a TV reality show.

Animals band together to save the day when the evil Otto Von Walrus hatches a sinister scheme to accelerate global warming and melt the Arctic Circle.

After being slain by a group of criminals, a man is reborn with animal-like superpowers and makes it his mission to right the wrongs of his city.

Po and the Furious Five uncover the legend of three of kung fu's greatest heroes: Master Thundering Rhino, Master Storming Ox, and Master Croc.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

In this anime visual album, a mysterious driver heads deep into a postapocalyptic hellscape toward a ferocious showdown with two monstrous opponents.

After his police officer brother is killed by a drug dealer who flees to the protection of his cartel-connected uncle in Mexico, an American man with a diverse law enforcement/military background goes south of the border to get revenge

The Yowie Yahoo starts kidnapping musicians at a concert attended by Scooby and the gang in Vampire Rock, Australia.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

Perhaps the first experimental color film made in Uruguay, Color was the work of a pioneering woman filmmaker, still a teenager at the time of the film's completion. Millán had a number of vérité shorts under her belt by this point, but none in such gorgeous color.

An experimental documentary about the intertwining of bodies and lives in a cattle ranch in Les Avins, Belgium, with cattle of the breed Blanc Bleu Belge, known for its fascinating musculature.

“Sequences of space-time manipulation that raise the problem of continuity in the shot.” - Yo Ota

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimensional physical work featured in the ‘Dance Hakushu 2006’ exhibition held in the Hakushu district of Hokuto City, Yamanashi Prefecture. Haraguchi’s work was modeled out of earth that will return to its original form after about a month, and my aim was to resurrect the concept of this work on film.” - Yo Ota

“This film was made for an event that included an exhibition of artwork by Eishi Yamatomo. Yamatomo’s metal sculpture is often finished with a chromium plating, which reflects its surroundings. For this project, I tried to obtain the image of a metal sculpture as an existing entity and its reflection as an illusion on a film medium, which can hold an image as an object. It was originally shot on 8mm film, hand-processed, edited, then re-photographed on 16mm film.” - Yo Ota

The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom.

A short film by John G. Avildsen.

“Peter Kubelka…was teaching at Staatliche Hochschule für Bildende Künste – Städelschule (Städel) at the time. His classes, filmmaking and cooking, were very unique, and this film was made around the time I was studying with him at Städel… This is a single-shot film, moving along the passageway using a handmade dolly. I used an Arriflex 16ST camera, and I changed the filming speed from 48fps to 4-6 fps while shooting.” - Yo Ota

“The visual harmony of the landscape is disturbed by a screen that allows us to see into the distance (television). The film is composed of six scenes that feature a television in the landscape. The speed of the television (in NTSC) is 30 frames per second, and never changes in this film. But the landscape views pass at different speeds.” - Yo Ota

“The structure of human vision is the visual knowledge of the world. Individuals do not visually understand the world through the eyes, but through the brain. That is to say, human vision has been formed by knowledge and experience. The film can show a new vision, provided that the cinema is also a kind of visual experience and visual knowledge.” - Yo Ota

“One can not speak of time as a thing in itself. It is movements and variations that give the feeling of time. Men have always linked time and spatial movement.” - Yo Ota

“This film offers a metacinematic study of tempo and change and a figure of velocity. […] Ota recorded [three different locations in Tokyo] at the interval of hours, and sometimes even days, by using different filters and by alternating the camera speed. The result…represents an inquiry into the abstract space-time of cinema where Ota plays with the physical fact that time is a ‘function of movement in space.’” –Malin Wahlberg

“There was an art event at a closed school, Kataura Junior High School, in Nebukawa, Kanagawa Prefecture. If I did not participate in this event to show my films, I would never have got off at Nebukawa Station. I saw the sea from the school building. The installation by Tetsuya Iimuro was placed in a science room at the school, where one could see the ocean through the windows.” - Yo Ota

An experimental documentary about the spectacle of substance abuse on social media. More than 45 hours of footage, hundreds of pages of blog posts and interviews were distilled and remixed using glitch and cut-up techniques to insure anonymity, transcend the shock factor and unfold this complex, singular and stratified use of social media.

Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geometry of a sex. Outside is a corrupt clue. Incisions are the incantation of melancholy. No way out. (Industrial drone improvised on improvised images, deficient results).

The evolution of mainstream pornography’s extremities and the early days of pay-per-view channels' noise.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.