Mexico: The Frozen Revolution

A road trip across five countries to explore the social and political movements as well as the mainstream media's misperception of South America while interviewing seven of its elected presidents.

A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

A documentary on why 'Money Heist' sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

When a daughter becomes concerned about her mother's well-being in a retirement home, private investigator Romulo hires Sergio, an 83-year-old man who becomes a new resident—and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Film adaptation of French economist Thomas Piketty's ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.

After the death of her daughter at the hand of her boyfriend, Marisela Escobedo began to fight for justice not only against the murderer but also against the corrupt Mexican judicial system.

Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

An investigation into the ongoing threat caused by the phenomenon of “fake news” in the U.S., focusing on the real-life consequences that disinformation, conspiracy theories and false news stories have on the average citizen.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

Embark on an epic journey through time and faith with 'The Apocalypse of Saint John.' Join the Apostle John in a stunning visual narrative that unravels the visions of the End Times. Experience each vision like never before, with striking visual effects and epic scenes that immerse you in the apocalyptic narrative.

A documentary filmed from dusk to dawn during the 2020 George Floyd protests in Minneapolis, Minnesota.

A documentary on American political campaign marketing tactics and their consequences.

Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

Chapter 3 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1910 and 1914, and the beginning of the major armed conflict that marked the future of the Mexican nation.

Chapter 4 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1915 and 1919.

Draws on the story of the same name by the American John Kenneth Turner, who, like some of his compatriots, such as the great journalist John Reed, witnessed and took part in the Mexican Revolution. Like Reed, author of Insurgent Mexico, JK Turner not only exposed the injustices of the Porfirio Díaz regime but also continued to collaborate with Mexican democrats, particularly with President Madero.

A BBC-produced docudrama reconstructing the trial of the Chicago Eight, using courtroom transcripts as its primary source. Directed by Christopher Burstall, the film dramatizes the prosecution of anti–Vietnam War protesters charged with conspiracy and incitement, presenting the proceedings as a precise trial reenactment grounded in documented testimony rather than fictionalized narrative.

An emotional journey through the film archives of the Mexican Revolution, ranging from Venustiano Carranza's administration to the creation of the PNR party by Plutarco Elias Calles.

A history of the Mexican Revolution (1910-17), narrated through the striking images of the enormous film archive of Salvador Toscano (1872-1947), pioneer of Mexican cinema, compiled by his daughter, Carmen Toscano.

An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.

The Storm That Swept Mexico tells the gripping story of the Mexican Revolution of 1910, the first major political and social revolution of the 20th century. The revolution not only changed the course of Mexican history, transforming economic and political power within the nation, but also profoundly impacted the relationships between Mexico, the U.S. and the rest of the world.

In Capetown, South Africa, in September 1966, Prime Minister Hendrik Verwoerd, the architect of apartheid, was stabbed to death in Parliament. The course of South African history was changed by the assassin, Dimitri Tsafendas, who was written off as mad and condemned to twenty-eight years of imprisonment. A Question of Madness tells the extraordinary human story of a man, born of a black mother, but classified white, who travelled the world in hopeless search of sanctuary - eventually returning to the land of apartheid to wreak vengeance on the one who symbolized the racism which had haunted his life.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

Through an AI-driven reinterpretation of Mexican Revolution footage captured by the country's cinema pioneers, this documentary offers a fresh look at a pivotal historical moment. It traces the movement's rise, peak, and fall, the birth of a new nation, and invites us to question the narratives that have shaped our identity and the present we inhabit.

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

For almost a decade, Mohammed bin Salman, known as MBS, the crown prince and de facto leader of Saudi Arabia, has been shaking up all the pillars of this extraordinary kingdom. The cradle of Islam and the world's leading exporter of crude oil, this Gulf giant has embarked on an unprecedented transformation to meet the existential challenge of the post-oil era. Dreaming of becoming the leader of a stable and prosperous Arab world, MBS is undertaking to transform the austere and rigorous Saudi Arabia into a futuristic utopia. But the rise of tourism, entertainment and the excesses of construction sites are still struggling to make us forget authoritarianism and the repression of opponents. As for the silencing of the religious police, it has not put an end to the oppression of women.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.