Corridor

A darkly brilliant stop-motion adaptation of The Pied Piper of Hamelin about a plague of rats that punish townsfolk corrupt with greed. One of the most ambitious Czech animation projects of the 1980s, notable for its unusual dark art direction, innovative animation techniques and use of a fictitious language.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.

A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dis­patcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He's a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Eu­rope. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…

Three surreal depictions of failures of communication that occur on all levels of human society.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

A silent figure known as The Assassin travels through a nightmare underworld of tortured souls, ruined cities and wretched monstrosities forged from the primordial horrors of the unconscious mind of Phil Tippett, the world's preeminent stop-motion animator.

All alone, Yellow Guy tries to stop a lamp from teaching him about dreams. While Red Guy finds out the truth about the puppets' existence.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

A little girl is taken on a mind-bending tour of her distant future.

A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

Mama Buzzard wants her children to learn to bring back meat for dinner. One buzzardling is shy and has to be kicked out of the nest. He's told to at least bring back a rabbit.

The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.

Forcibly separated from her twin brother when they are orphaned, a melancholic misfit learns how to find confidence within herself amid the clutter of misfortunes and everyday life.

Bill struggles to put together his shattered psyche.

The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.

An action epic that explores the origins of the Aqua Teen Hunger Force (better known as Master Shake, Frylock, and Meatwad,) who somehow become pitted in a battle over an immortal piece of exercise equipment.

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

Focusing on developing relationships with the computer as a nonhuman entity, Listener is an iterative, site-specific performance artwork which speculates a future through Lakota ontology, narratively and physically manifesting a relationship with metals in electronics, performed via an electronic interface woven into hair (hair is sacred to the Lakota). The sonic landscape includes live police scanners, synthesizers played by the hair, and algorithmically re-arranging poetry with a voice speaking of a future landscape, prophecies, dreams, and the possibilities in listening.

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

A soldier served a long time service. He took as a reward an old drum and went where his eyes were looking. He walked for a long time, and went to the hut, and in it the small girl was crying, because the fierce witch has destroyed her parents.

The cartoon based on the works of Alexander Pushkin was created on the basis of drawings from the exhibition "Pushkin through the eyes of children".

An animated film about how a giraffe broke her glasses, went to the pharmacy to buy new ones, but on the way she spent money on a hat, scarf, stockings and it turned out that there was nothing to buy glasses for.

A woman is forced by her husband to be shut-up for ever. But when she listens to nature's song, she refinds her own song and the hope of a different life.

Street artist Blu animates large-scale creatures as they crawl across an abandoned Argentine cityscape.

The story about the wild creatures of the wild forest and one impudent Cat who walks by himself, and all places are alike to him.

If you follow a double yellow line far enough you will reach the traffic control HQ, a hellish place where all yellow lines are created. Greta, a not-so-wicked witch, gets a job as a traffic warden to try and uphold her old fashioned evil values. “These days it seems turning milk sour is just not enough for a witch to make a living!”

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Sarcastic inversion of the ‘beautiful couple in love’ archetype. The ’40. Two people isolated from the rest for their physical appearance, meet in a cinema. A dark solidarity born between them leads to a relationship based on the denial of their ugliness.

The peacock is a big star onstage. His feathers, however, want a fair share of the fame.

Sloth wants to buy an ice cream cone. Unfortunately, he is way too slow and sleepy.

A series of paintings set to the music of Robert Schumann

Living in a strict and very regulated world, a man has to hide his homosexuality and dance, dance, until the moment he finds the strength to face these rules and reveal who he really is.