The Rotten Wheelbarrow

From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.

In a small village in a valley everyone who reaches the age of 70 must leave the village and go to a certain mountain top to die. If anyone should refuse they would disgrace their family. Old Orin is 69. This winter it is her turn to go to the mountain. But first she must make sure that her eldest son Tatsuhei finds a wife.

In a remote village where food is scarce, elders who reach the age of 70 are carried by their children to the top of a nearby mountain to die in solitude. Orin, a vibrant 69-year-old grandmother, has accepted her fate — but struggles to prepare the rest of her family for the ritual.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka finally finds a home as a Muraoka family hitman and falls in love with boss Muraoka's niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo draws our series' hero, Shozo Hirono, and the other yakuza into a new round of bloodshed.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.

A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.

Eddie Kenner is given a special assignment by the Army to get the inside story on Sandy Dawson, a former GI who has formed a gang of fellow servicemen and Japanese locals.

A 21-year-old girl is released from prison, only to deal with the neighborhood gossip about her and family conflicts. She decides to save one million yen, move to where no one knows her and keep repeating the process.

A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.

Depicts the life of a family in a remote Japanese timber village. Family head Tahara Kozo lives with his mother Sachiko, wife Yasuyo, nephew Eisuke and young daughter Michiru. Economic recession and failed development plans cause tragedy in the family.

In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza.

In a once-scenic village now dominated by a vast trash disposal site, a young man yearns to break free from a cruel fate tying him to the very grounds.

In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family.

When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon, Lt. Jim Reardon and Maj. Ian Campbell are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.

In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.

A Yokohama shoe executive faces a wrenching choice when kidnappers mistakenly seize his chauffeur’s son but demand the ransom anyway.

The coming-of-age romance is set during the Nagaoka Festival Grand Fireworks Show, one of Japan's three major fireworks shows that draws several hundred thousand visitors to Niigata Prefecture every year. What connects Makoto (a Tokyo high school boy without social skills or self-confidence) and Aki (a popular high school girl and class president with beauty and talent) is a drawing of a fireworks display. At the mercy of the drawing's mystery and fate itself, the two have to make a choice in a limited amount of time.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

Shinji (Shinichi Tsutsumi) steps out of a train station to find himself transported back to 1964.

Masa hires rental actress and aspiring dancer, Kanako, to pose as his fiancée to impress his estranged, terminally-ill father. But as his father's death delays, Masa is forced to confront the spiraling web of lies and to learn to follow his heart.

Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.

Living in a village full of slopes can drive you mad. Those who have climbed them in the old-fashioned way are fully aware of that. What they don’t know is that their souls might have stuck around.

Wataru's outwardly liberal views on marriage are severely tested when his daughter declares her love for a coworker and is adamant to live her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

Louis, a retired man, resists the overprotection of his daughter Nina to keep his independence.

In a country house, Armando, a proud and somewhat macho grandfather, loses his bearings when his wife falls ill. He will learn to accept help from his son and granddaughter despite the underlying tensions.

When Keiji Takama returns to Nagasaki, he finds many changes. The rights of the entertainment field that had been held by his family have been taken over by the Matsui Group, a new gangster setup. So he becomes head of the Takama Group to regain lost territory. With the cooperation of all the Bosses from Tokyo to Nagasaki, who had known his father, Keiji recovers the rights to put on shows at the City Hall. As he had feared, however, Matsui begins to interfere with his plans. Keiji's men are furious, but he knows better than to take up the cudgels with Matsui at this important time. Whatever Matsui does, Keiji goes one better. Frustrated and bitter, Matsui calls in the help of Koiwa, a killer. Now, having tried his best to oust Keiji but finding that he is made of sterner stuff than he had counted on, he decides to have Koiwa do away with him for good.

Young women in a small Japanese town look to revive their home's declining fortunes by building a Hawaiian village tourist attraction.

Seigo Yoshioka (Kenji Sakaguchi) is a teacher that became mute after a kendo accident. He feels lost after the accident and eventually decides to teach again on a small island where his mother was born. The children there on the island quickly name him "Kikansha Sensei" (Teacher Locomotive) after learning he is mute. The parents on the island are mostly hostile to Seigo Yoshioka, believing he is incapable of teaching their children. But with Seigo Yoshioka's determination and kindness, a strong bond develops between the students and the mute teacher, which then changes the parents' opinions of Seigo Yoshioka. Suddenly, tragedy then strikes ...

Dona Maria, a woman in her seventies, is alone at home with her thoughts. Abandoned by everyone—and by the life she once nurtured with such labor and passion—she now lives off her memories, her only companions, of a time when everyone was happy and she, besides being a renowned painter, was a whole, fulfilled woman.

On the surface, the Kyobashis appear to be a happy family. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.