Cronache dell'eternità

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

This raucous journey into the heart of democracy captures an unusual rite of passage: 1,100 teenage boys from across Texas coming together to build a representative government from the ground up.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

Naples, Trajan's district. Initially it was intended for the inhabitants of the shantytowns on the seafront of Naples, who were homeless after the war. But it soon became a kind of ghetto. Alessandro and Pietro are two teenagers who film with an iPhone to tell their difficult neighborhood, their daily life, the friendship that binds them.

The life of a dying young man at the short age of only forty-one after playing the lead in Il postino. He was a brilliant stage actor before becoming an astonishing film director.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ program raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.

Explore the evolution of Buzz Lightyear from toy to human in the making of Pixar’s Lightyear. Dive into the origin and cultural impact of everyone’s favorite Space Ranger, the art of designing a new “human Buzz,” and the challenges faced by the Lightyear crew along the way.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

Behind the scenes look at fight choreography and action training.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

A documentary about the life and films of director John Ford.

The Captains is a feature-length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors who have portrayed starship captains in the Star Trek franchise.

The availability of housing is a big topic today. It has the strongest impact on those who participate least in the public debate – low-income households, minorities or single women. The film follows a group of activists around Martin Freund, a representative and member of the Live Brno movement, as they try to persuade politicians in the second largest Czech city about their vision of affordable housing.

Because of the big housing problem in the US many people move into cheap, run down hotels, the so-called Flophouse hotels. Twelve-year-old Mikal was born and raised in a hotel room he shares with his parents, who struggle with substance abuse. Driven by love and a desire for a better life, his greatest wish is for his mother to stop drinking. Mikal is bright and articulate, but his parents’ struggles prevent them from giving him the stability he needs. Through Mikal’s perspective, the film paints an intimate portrait of resilience, hope, and the harsh realities of life on society’s margins.

Cranes and Voices follows, on one side, people who hear voices and share their daily lives, and on the other, a collective of tenants who investigate their neighbourhood through its noises, its vibrations and its construction sites. The film moves through apartments, streets, meetings and moments of sound creation, where voices, urban noises and recorded materials are transformed into collective sound compositions and spaces for exchange. Sound appears here as an ambivalent force, at once invasive and generative, shaping the way we inhabit the city, other people and ourselves. Cranes and Voices invites us to pay attention to these singular listening experiences, to hear what they reveal about the housing crisis, about how mental health is viewed and about the ways we organise our shared spaces.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

via print and film, love and music, state propaganda and people's archives, five-year plans and Emergency.

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

Successfully completed your studies - now what? Raffly already has a lucrative job offer from a large German company, but neither an apartment nor a work permit.

“Set against the rattle of shopping carts and the white noise of L.A. traffic... “Disco’d” is an unvarnished, moving look at the lives affected by the rising crisis of homelessness.” —Los Angeles Times

Located in Carcavelos, Quinta Nova de Santo António, or Quinta dos Ingleses, as it is recognized by the population, shelters a small community of people affected by the housing crisis. Natives and immigrants, deprived of a roof over their heads, carry on with their lives in search of better opportunities and a breeze of change. Guided by residents' voices, this documentary is based on the adaptability of human beings in the face of life's adversities and their constant pursue of happiness.

Too many stories can tell the horrible consequences of the housing crisis. Those of Jeannette and Frances make us feel the difficult experience of eviction. During long months of anguish, brief hopes and uprooting, Jeannette and Frances struggle, alone and surrounded, against a phenomenon that is becoming more and more pronounced: losing your home.

Five floors. Forty apartments. Rats, leaks and debts. In Pantin, I live in a building with a danger order. Under court order, we have to renovate it. Between Dantesque arguments, missing money and humor as a fire extinguisher, I film our collective rescue.

Jaiden van Bork examines both the mythology and reality of Cape Cod, Massachusetts, seeking to unravel the difficult questions that face the coastal community today as it confronts a barrage of overtourism and a subsequent housing crisis that has left locals scrambling to keep their feet planted in the sand. Weaving a personal chronicle of childhood on Cape Cod with the voices of local artists, fishermen, and hospitality workers, the film channels the eerie realities of small town America, posing new questions about identity and memory.

An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.