Daia Sahara

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A documentary about the life and films of director John Ford.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.

The life and career of an actor, artist, and icon. His own journey through his own camera.

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

A documentary about ten very different lives connected by having appeared onscreen wearing masks or helmets in Star Wars.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Sahrawi children move to Basque country in summer thanks to the solidarity project Vacations in Peace. In the first part of the documentary, we see how they live, what they discover, what they learn and how these children enjoy themselves during their stay. The second part of the documentary takes place in the refugee camps in the desert which have held refugees for more than 30 years. We see their day-to-day life and, in passing, the reasons for the conflict and the Sahrawi struggle.

A documentary which explains, through the experience of hosting a Sahrawi child for the summer, visiting the camps and speaking with teachers, politicians and doctors… the story of the Sahrawi people and the reasons behind the conflict. People from diverse geographical locations in Spain give us their opinion about the conflict.

Atu is a 12-year-old Saharawi girl who comes to Valencia every summer to escape the suffocating desert summer in exile. Two opposing worlds between a conflict that has driven hundreds of thousands of people away from Western Sahara forcing them to live in southwestern Algeria. At her young age, with little resources and no homeland, she courageously faces the future.

Abba Abidin, a 24-year old Sahrawi, has lived his entire adolescence in Spain. He hasn’t seen his family for many years, as they live in a camp for Sahrawi refugees. This winter, Abba hopes to return to Tindouf, in southern Algeria, in search of his anticipated reunion with his family and also with rediscovering himself and his roots.

As happens every year, the parents of the Association of Friends with the Sahrawi People of Santa Coloma de Gramenet (Barcelona) gather to welcome a group of Sahrawi children who come to spend two months with them each summer. The strong emotional ties that develop between them help them to overcome challenges such as cultural adaptation.

Jean Rouch shot La Pyramide Humaine in 1961. We discovered it the summer of 2012. This treasure draws suggestive connections between a politic conflict and the art of creation by itself. That summer we were in charge of shooting the staying of Sahrawi children with host families from Barcelona during the summer holidays. Nothing seemed to us more inspiring than get deep into the essence of that movie. And we dare to play. It is an audiovisual experiment, by way of an imperfect tale, with three protagonists: a Sahrawi friend in exile, a group of kids from the desert and a play.

Suso is a Sahrawi child. He has put his name down for a humanitarian aid program that allows saharawi children to spend a holiday away form the refugee camp where they lives. For the first time in his life he will see the grass, the mountains, the sea ...

Lejsara is a documentary about two worlds: Tinduf and Mallorca. The main character, Lejsara, is twelve years old and, thanks to the ‘Holidays in Peace’ project, she’s going to spend her third and last summer in Spain with her host family. The film asks whether this program lets their children taste a piece of candy and then takes it away from them.

Two planes take off at the same time headed in opposite directions. Fatimetu and Ejehla. Two distinct lives destined to follow similar paths. One past desired, but fuzzy, and a future. One inheritance, becoming more and more fragile. “Heirs” gathers the testimony of different generations of women who live within and outside of the camps and paints a profile of the present situation in which these Sahrawi women live and the future they've inherited, living in an orphan-like territory separated from their homeland for more than 33 years…

A documentary about the lives of Sahrawi refugees in the Tindouf camps (Algeria). A didactic video for families hosting Sahrawi minors in the Vacations in Peace programme with the objective of them learning and being introduced to the Saharwi culture and customs so that they see what life is like in the camps for these children.

Benda, a young Sahrawi woman in the diaspora wonders about the future of her people's children and women. We accompany her on an emotional journey to the refugee camps to see the more human face of the conflict. The film leaves the political as a mere context to focus on the dreams and drama of a people determined in their struggle to return home.

Salka was born as a refugee in the Sahara desert, and grew up in Italy by chance: she was one of the so-called "Little Peace Ambassadors". Sahrawis have been sending to Europe their children for decades, to show the world the injustice they suffer. A 2700 km long mined wall across the desert, and there's no mention of it even in UN resolutions on Western Sahara. This former spanish colony, just in front of Canary Islands, is occupied by Morocco since 1975. In 2011 I spent 5 weeks in the Sahrawi refugee camps near Tindouf, outer south-west of Algeria. This is where the Sahrawi's escape from their war-devastated land stopped, though none of them imagined they would stay there so long. When I met Salka, her foster italian mother Carmen and her mother Aisha, I had finally found what I had been looking for: state of rest began to take shape. Neither Salka nor I were born when it all began. Western Sahara has been occupied by Morocco and plundered by many others for over 40 years

This is a story about women who are fighters, tenacious, hopeful, active women…who were capable of lifting, from nothingness, in the harshest landscape of the world, life. They are the Sahrawi women. 40 years ago, they were forced into exile; the men of this region, marched to war and the women created “temporary cities”: The Refugee Camps. They invented a new day to day life which made possible a sustainable existence and a hope, of one day returning home. Coría every night dreams of the sea; the majestic image of its water, the sound of its waves, are the echoes that join the people with their homeland. The will beats in the hearts of the Sahrawi women who maintain their unbreakable spirit, ever moving forward.

Bachir dreams of swimming in the sea, but he lives in a refugee camp in the desert. Despite the fact that he has no passport, he is offered the chance of a lifetime: he may be allowed to go on summer camp to Spain. Will his wish be fulfilled?

Tahar is a 20-year-old Sahrawi man who lives in the Basque Country. However, his family continues to live in the Tindouf refugee camp. One day, he receives a call from there: his father is dying.

How can we rethink our ways of learning and transmitting knowledge? This film answers this question through the creation of a unique bachelor’s program: the Arts and Sciences Bachelor. The origin of this bachelor lies in the uprising against the 2009 reform of the university. During three years, students explore knowledge through the intertwining of different subjects. Indeed, they discover every aspect of color in sociology, chemistry, and literature. By following four students from their first to their third year, the film explains to the spectator how this bachelor program works. Les Lumières offers a reflection on transdisciplinarity.

Made for the Sheffield and District Workers Film Society by Brian Pickersgill, this film documents anti-war protest marches through the streets of Sheffield to Endcliffe Park in 1936. The film concentrates on the Women’s, Youth, and May Day demonstrations held that week.

A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.

A short film featuring quotes from Armenian auteur Sergei Parajanov and clips from his masterpiece The Colour of Pomegranates.