Volume 1½

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A documentary on legendary movie-poster artist Drew Struzan.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

The life and career of an actor, artist, and icon. His own journey through his own camera.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

An intimately raw and magical journey through the life, mind, and heart of iconic artist Frida Kahlo. Told through her own words for the very first time — drawn from her diary, revealing letters, essays, and print interviews — and brought vividly to life by lyrical animation inspired by her unforgettable artwork.

A documentary about the life and films of director John Ford.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

Cold pearly winters and the brutality of war running simultaneously.

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.

Like at the New Year’s Eve, showers of colourful light cut through the darkness. While fireworks dissolve into nothing after a thunderous sound, shattered glass leaves material artifact. Sharp pieces then become a reminder of the real track that fireworks leave in the sky.

An experimental film about the relation of Time and Space.

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.

"Soap Opera of a Frozen Filmmaker" project is a series of seven episodes of cinematic diaries. It is the unique point of view of an anonymous artist whose entire essence of existence is to make films, but he is rejected on every front time after time. During the process he ponders his life as an artist, the nature of material society and life in general, in which his owm life eventually become a tragedy.

A compilation of TV news about black culture.

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

This work is a representation of the deterioration of the first love of Nakano Eiji. He uses a psychedelic effect to represent the deterioration.

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.

A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.

An experimental short film using only free archival footage.