Yippie

Matt Walsh goes deep undercover in the world of diversity, equity, and inclusion. Prepare to be shocked by how far race hustlers will go and how much further Matt Walsh will go to expose the grift, uncovering absurdities that will leave you laughing.

One hundred superstar comedians tell the same very, VERY dirty, filthy joke--one shared privately by comics since Vaudeville.

The fifth and final installment to Jackass franchise where the crew go on one last insane crusade.

What does it mean to be a successful comedian? How far can the boundaries of taste be pushed to get a laugh? Four top comics, Ricky Gervais, Louis C.K., Jerry Seinfeld and Chris Rock, discuss and debate their craft.

A man caught up in the glamor of being a Hollywood celebrity has no idea that the production he's in is a fake.

Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.

From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.

Johnny Knoxville, Bam Margera, Steve-O, Wee Man and the rest of their fearless and foolhardy friends take part in another round of outrageous pranks and stunts. In addition to standing in the path of a charging bull, launching themselves into the air and crashing through various objects, the guys perform in segments such as "Sweatsuit Cocktail," "Beehive Tetherball" and "Lamborghini Tooth Pull."

The Comedians of Comedy is an occasional stand-up comedy tour featuring Patton Oswalt, Zach Galifianakis, Brian Posehn and Maria Bamford that was documented in a 2005 film and 2005 Comedy Central television series of the same name, both directed by Michael Blieden.

Comedian Kevin Hart performs in front of a crowd of 50,000 people at Philadelphia's outdoor venue, Lincoln Financial Field.

The deleted scenes and additional stunts and sketches that originally were not presented in the original series.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the Black community.

A behind-the-scenes mockumentary of Tropic Thunder.

You will see Travis Pastrana and the whole Nitro Circus crew perform some of the most ridiculous, awe-inspiring, and simply insane stunts ever caught on camera. Coming to you in three dimensional glory, it will feel like you are there sitting shotgun with the crew.

Stand-up comedian Kevin Hart talks about his family, travel and a year full of reckless behavior in front of a live sold-out crowd in London.

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

Lupita Nyong'o narrates a documentary about Peanuts and its creator, Charles M. Schulz. Famous fans—including Drew Barrymore, Kevin Smith, and Al Roker—share its influence on them, and a new animated story finds Charlie Brown on a quest.

When indie comic character Pepe the Frog becomes an unwitting icon of hate, his creator, artist Matt Furie, fights to bring Pepe back from the darkness and navigate America's cultural divide.

Short about the disappearance of the body of the political Argentinean writer Rodolfo Walsh after he was shot in an ambush by a special military group in Argentinia on March 25 1977.

Two out-of-work actors -- the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail -- spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.

When artist Janet Biehl fell in love with radical American philosopher Murray Bookchin in the 1980s whilst editing his ground-breaking opus “The Ecology of Freedom”, she could never have imagined that it would one day take her halfway across the globe. Now, over 40 years later, Janet travels from America to the Middle East to witness something remarkable - how Murray’s ideas have ignited a female-led revolution in North-East Syria, where society is being rebuilt in the wake of victory over ISIS. Janet meets the women who are turning her late partner’s political theories into a modern reality, creating a grassroots communal democracy. Janet draws what she sees, and her illustrations capture the humanity of ordinary people in their struggle to self-govern. Now, at this critical moment for Syria and with this revolutionary project under renewed threat, "Threads of a Revolution" reveals a possible way forward for those prepared to fight for a new way to live.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

A comical satire of a cinema program and operation.

Sylvia Stickles runs a convenience store with her husband and mother-in-law. One day, Sylvia is hit on the head and transforms from an uptight prude to a sex-crazed lunatic. As she goes on a rampage through town, Sylvia attracts the attention of Ray Ray, a sexual healer and tow truck driver in search of the world's greatest orgasm. Their sexual revolution, however, causes a class war in their tiny Baltimore community.

A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.

Unemployed cartoonist Gord Brody moves back in with his parents Jim and Julie and younger brother Freddy. When his parents demand he leave, he retaliates by spreading rumors that Jim is sexually abusing Freddy.

This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.

Love Thing captures the emerging multicultural spirit and personal freedom of the late 1970s with an outrageous attitude and experimental style. A work in progress now finally completed it's the last American musical comedy from that era which can be viewed today as a prophetic satire. Through its provocative, entertaining storyline highlighted by song and dance, the movie answers the burning question of our time, "What happens after the marriage?

An honest employee saves some valuable documents when a fire breaks out in the factory where he works, at the risk of his life. But the secrets hidden in these documents are capable of destroying the relationship between his two bosses.

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

An enduring myth in U.S. presidential election history is that George H.W. Bush only lost his re-election bid in 1992 because a peculiar independent candidate from Texas, Ross Perot, drew more voters away from Bush than from Democratic candidate Bill Clinton. Perot ran a quirky "outsider" campaign that in many ways presaged the Donald Trump phenomenon of 2016. It all amounted to one of the most successful third-party bids in U.S. history; Perot won 19 percent of the popular vote.

The AfD, founded in 2013, is a right-wing party that has become increasingly radicalized in recent years. To illustrate this, only those who enthusiastically joined the party in its early years are heard. They describe what they looked for and found in the party, but also how and why they left, disillusioned and frightened by the AfD's developments. How did they experience the party's radicalization process? How did friends and family react? When and why did they decide to turn their back on the party? How difficult was the exit process? The documentary provides an illuminating inside view of this party, which has been driving the established parties and the political establishment ahead of it for over ten years, gives viewers a unique look into the AfD's chronicle and world of thought and is at the same time a film about the mechanisms of political radicalization.

This documentary focuses mostly on the 1930’s to 1950’s – arguably the most important period in modern American history. These decades included the Great Depression, the peak of labor militancy in 1937 (probably the closest the US has come to a popular revolution since 1787), the rise of the “guest worker” phenomenon, the counter-attack against labor unions, the creation of the military industrial complex, the rise of the FBI, the foundations of the civil rights movement, and the purging of radicals from organized labor and public life.