Safety and the Supervisor

The authorized documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Featuring rare archival footage and interviews with acclaimed Hollywood directors alongside Steven Spielberg, top shark scientists, and conservationists, the film uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.

Class Action Park explores the legend, legacy, and truth behind the 1980s water park in Vernon, New Jersey that long ago entered the realm of myth. Known for its dangerous, unsupervised rides and lack of regulation, guests of Action Park expected to walk away with injuries and were lucky if they made it out alive. Shirking the trappings of nostalgia, the film uses investigative journalism, original animations, recordings, and interviews with the people who lived it to reveal the true story of Action Park.

This is the story of the internal struggle between a man's Brain—a pragmatic protector who calculates his every move, and his Heart—a free-spirited adventurer who wants to let loose.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Barry B. Benson, a recent college graduate who wants more out of his life than making honey, decides to sue the human race after learning about the exploitation of bees at the hands of mankind. What will happen next?

Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.

There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.

With mesmerizing footage and time lapses of animators at work, this behind-the-scenes special captures the artistry of a unique tale years in the making.

When housewife Trina wins the lottery, her comfortable life with her dentist husband John slowly deteriorates, in part by her own increasing paranoia and partly by the machinations of villainous acquaintance Marcus.

Dan Foreman is a seasoned advertisement sales executive at a high-ranking publication when a corporate takeover results in him being placed under naive supervisor Carter Duryea, who is half his age. Matters are made worse when Dan's new supervisor becomes romantically involved with his daughter an 18 year-old college student Alex.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

When a poisonous snake slithers onto an Englishman's stomach in India, his associate and a doctor race to save him.

This highway scare film produced by the Highway Safety Foundation in 1971, "Decade of Death", is a retrospective of the organization's 10 years of gory, shocking social guidance films which aimed to promote traffic safety and driver responsibility through the display of bloody and horrific footage of traffic crashes.The Highway Safety Foundation made driver scare films such as "Signal 30," "Mechanized Death," and "Highways of Agony" that intended to encourage drivers to drive responsibly and with consideration of the risks and consequences. It was the organization's belief that crash footage, while horrific, was the best way to convey the importance of driving safely.

A group of strangers find themselves trapped in a maze-like prison. It soon becomes clear that each of them possesses the peculiar skills necessary to escape, if they don't wind up dead first.

Two workers leave boxes of explosives with a push cart street vendor while they visit a bar. They return drunk and accidentally drop a box of nitro powder, causing an explosion that wrecks the block and blows off the vendor’s arm. A policeman shows up to the carnage and tries to replace the vendor’s arm with a severed leg.

A laundry-folding machine has been possessed by a demon, causing it to develop homicidal tendencies.

A video magazine put out by the Come Organization label. An in-depth documentary of the life & works of Peter Kurten, the monster of Dusseldorf, including previously unpublished pictures and information. With music by WHITEHOUSE, J.S.BACH & BEETHOVEN

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. SUTCLIFFE JUGEND interview and music PETER KURTEN preview WHITEHOUSE LP TRACKS 1 birthdeath experience side A PHILIP BEST talks to MARY DOWD WHITEHOUSE studio action 1 KINGS CROSS PROSTITUTION 1982

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. CHARLES MANSON family interviews/LP tracks WHITEHOUSE LP TRACKS 2 birthdeath experience side B SUTCLIFFE JUGEND studio action 1 RAMLEH interview & music PETER SUTCLIFFE trial report KINGS CROSS PROSITIUTION 1982

A Cristian educational film that tells the story of a former drug addict, Mark Lindley, and his recovery through finding God.

This color propaganda ‘scare’ film is about the horrors of the drug heroin. It seems to be reel 1 and is missing its credits and its other reels. It is made circa the late 1960s in England.

A video magazine put out by the Come Organization label. Noise, smut, medical procedures and an unwholesome fascination with infamous murderers. PETER SUTCLIFFE preview WHITEHOUSE LP TRACKS 3 total sex side A SUTCLIFFE JUGEND interview & music WHITEHOUSE studio action 2 HERMANN NITSCH a study AUSCWITZ / BIRKENAU 1941-82

In this film, a police officer tells children about the dangers of accepting rides or presents from strangers, and relates the unfortunate stories of several children who did and were never seen again.

In a surreal, industrial dystopia, a travelling salesman encounters a singing behemoth. This towering, two-headed monstrosity tempts him with a terrifying (but lucrative) proposition.

This anti-drug film from 1972 uses abstract and modernist animation styles and techniques to depict the effects of different drugs (both legal and illegal) on the human brain and body. Set to eerie music and inter-spliced with live action footage shot in and around Los Angeles, California, you’ll be shown unnerving and psychedelic imagery designed to make you think twice about abusing drugs.

This scintillating compilation of various Cabaret Voltaire albums and singles makes a great introduction to this interesting group. Tracks include "Diskono," "Obsession," "Nag Nag Nag," "Seconds Too Late," "This Is Entertainment," "Badge of Evil," "Eddie's Out," "Landslide," "Photophobia," "Extract from Johnny Yesno," "Walls of Jericho," "Moscow," "Trash (Parts I & II)" and more.

"Inspired by Friedrich Nietzsche's seminal work 'Thus Spoke Zarathustra', THE GREAT CITY is a profound cinematic inquiry into the ontology of truth within the digital ruins of the modern world. The film navigates the psychological landscape of the 'Last Man', exploring the encroaching desert of the soul and the 'blind point' of human consciousness. Through a minimalist and melancholic visual language, it challenges the viewer to confront the illusions of contemporary existence and the search for authentic meaning in an era of absolute spiritual void."

"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.

Kieran, a young man jaded by the modern world, goes on an unexpected journey after losing his keys.

An industrial film, commissioned by the John Deere Company, which showcases eccentric home-built and modified farm equipment.

A man working in an office stumbles upon a truth he may not be ready for.

Comedy short produced by the Construction Safety Association of Ontario, Canada. It demonstrates the dos and don'ts of construction site safety. The film is the last professionally filmed footage of film legend Buster Keaton, shot months before his death from lung cancer on February 1, 1966. He recreates several routines from his youth, as well as some new material for the film. Most notable was his recreation of a gag from his 1918 film The Bell Boy in which he mops the floor using only the tip of the mop, little by little while sitting on the floor.