A Mile and a Half

Documentary that delves deep into the history of abortion law, revealing the contradictory ways in which women's bodies have been used to further political and ideological agendas.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

An unflinching look at the how the battle over abortion rights has played out in the United States over the last 15 years.

The feature documentary follows women of all walks of life, all ages and ethnic backgrounds, as they shed trauma, body image shame, sexual abuse and other issues locked in their bodies, and embark on a journey to reclaim themselves. The film also gives a rare window into the world of Pole artistry and expression.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Vanessa Guillen was 20 years old when she was found murdered at a US Army base. Rather than submit to silence, her family fought for justice and change.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

Police pull over a woman who claims she just gave birth. But the baby — and the blood — aren't hers. Twisted lies unravel in this true-crime documentary.

A sexual wellness company gains fame and followers, then members come forward with shocking allegations.

A look at the "Hell House" performed annually in October by the youth members of Trinity Church (Assemblies of God) in Cedar Hill, Texas (a Dallas suburb) — seen by over 10,000 visitors each year.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Vulgar, taunting texts blow up the phones of a teen and her boyfriend. Who's sending them — and why? This twisty documentary reveals the shocking answer.

In 1977, a book of photographs captured an awakening - women shedding the cultural restrictions of their childhoods and embracing their full humanity. This documentary revisits those photos, those women and those times and takes aim at our culture today that alarmingly shows the need for continued change.

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

The priest Børre Knudsen is Norway's most infamous anti-abortionist, and much hated for this. He fought for his cause without thinking about the consequences for his family and his children even in the worlds most democratic country.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.

The film delves into the reality of frontline workers who protect the right to abortion, an unprecedented access. Their stories are accompanied by powerful testimonies from women who have experienced a termination of pregnancy, breaking the silence and isolation.

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

Three women intimately share how they faced the world and their own family when deciding to terminate a pregnancy.

"Have you ever regret about not having kids?" - "Yes, I have, Sometimes"

FRONTLINE follows the intersecting lives of twenty-two-year-old antiabortionist, John Salvi III, charged with murder in the armed attacks on two Massachusetts health clinics, and his victims, Shannon Lowney and Leanne Nichols. Through in-depth, personal interviews with family members and friends, clinic employees, police, Pro-Life and Pro-Choice protesters, witnesses, and religious leader Cardinal Bernard Law of Boston, the film draws a portrait of what led to Salvi’s brutal acts of violence. From the producers of ‘Romeo and Juliet in Sarajevo,’ this two-hour program crosses the emotionally charged terrain of the abortion battle.

Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.

"Clandestinas" is a documentary about the abortion situation in Brazil. Women share their experiences interrupting a pregnancy and actresses interpret that actual reports.

A portrait of Norma McCorvey, the “Jane Roe” whose unwanted pregnancy led to the 1973 case that legalized abortion nationwide, Roe v. Wade. The documentary unravels the mysteries closely guarded by McCorvey throughout her life.

As the Arizona Supreme Court argues on whether to reinstate an abortion ban that originated in 1864, As Long As We Can offers a glimpse into the day-to-day activities of this, for now, still functioning clinic.

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

Documentary that delves deep into the history of abortion law, revealing the contradictory ways in which women's bodies have been used to further political and ideological agendas.

Intimate interview film in which three young women talk about the impact of choosing abortion. About the doubts, the shame and how this experience plays a role in their lives now. The film interweaves the interviews with powerful images that symbolize the different phases of their struggle.

An intensely personal exploration of an explosive issue -- abortion in America. Wrenching first-person narratives from seven decades of women, each one facing an unplanned pregnancy -- and the dreadful decision that no one wants to make. Both pro-life and pro-choice, both out front on the picket line and inside the clinic, these women's stories turn politics into heart-searing drama: a pregnant 17-year-old and her pro-life mother whose conflict unfolds in front of the camera; a 22-year-old who became a pro-life protester when she learned that her mother nearly aborted her; an unhappy mother-of-two who's expecting a third when her marriage suddenly hits the rocks; a 71-year-old grandmother who still grieves for her mother, an early victim of illegal abortion. In this fusion of past and present, the history of abortion is the history of women -- told at a time in America when yesterday's back-alley abortions may be the only choice left for tomorrow.