Wandering Spirit Survival School

An investigation into abuse and missing children at an Indian residential school in Canada ignites a reckoning on the nearby Sugarcane Reserve.

Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A look at the events leading up to the Taliban's attack on the young Pakistani school girl, Malala Yousafzai, for speaking out on girls' education and the aftermath, including her speech to the United Nations.

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Meet the real Paris Hilton for the very first time as she embarks on a journey of healing and reflection, reclaiming her true identity along the way.

When a cross-section of seven-year-olds were interviewed for 7 Up in 1964 it was immediately evident that their social backgrounds influenced their attitudes towards life. While the upper class children were confident and self-assured, those from middle and working class backgrounds were resigned to a challenging life of hard work. This premise was put to the test every seven years when the same group were interviewed about the progression of their lives. 49 years in the making, the changes that occurred to the original 14 make for fascinating television and are in many ways the stories of all our lives. From success and disappointment, marriage and childbirth, to poverty and illness, nearly every facet of life has been captured on film. Now, at the age of 56, the group are once more brought together and, with the benefit of hindsight, assess whether their lives have been ruled by circumstance or self-determination.

A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

Over 35 years after Bob Lazar's revelations, this documentary exposes secrets of a facility the government still denies. Featuring Lazar's testimony, recreations, and new evidence, it reopens a case that continues to spark global curiosity

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

This documentary short is an introduction to the Bella Bella (Heiltsuk) of Campbell Island, 500 km North of Vancouver on the Pacific Coast. Since the coming of settlers, these fishing people have watched their ancient Heiltsuk culture and their independence all but disappear. Today, in an energetic attempt to become self-sufficient, they are regaining both - successfully combining economic development with cultural revival.

Set on an island 600 kilometers north of the Arctic Circle, this intimate vérité portrait follows two young Inuit coming of age. Created in close collaboration with a local children’s home and filmed in the Greenlandic language, the story traces identity, tradition, loss, and resilience. Living alongside its protagonists, the film observes a fragile passage between deep cultural roots and an uncertain, rapidly changing world.

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.

This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.

A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.

A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.

Documentary about the production of Bunk #7.

Nose and Tina are a couple in love. The film captures the domestic details of their life together and documents their hassles with work, money and the law. The unusual bit: He is employed as a brakeman, and she as a sex worker.

Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.

Is it possible that a group of people share our culture and fate, but are drifting in another part of the ocean? Taiwanese aboriginal musicians, Suming and Baobu, are invited to New Caledonia for a month of musical exchange. They lived with local Kanak musicians, playing music and sometimes composing together. In the end, they all found that the secret to innovation and globalization is to re-discover one’s own cultural roots.

A look at the events leading up to the Taliban's attack on the young Pakistani school girl, Malala Yousafzai, for speaking out on girls' education and the aftermath, including her speech to the United Nations.

Amid a severe housing crisis that made international headlines in 2011, the federal government imposed third-party management on the Attawapiskat First Nation. In response, the First Nation’s leadership filed a challenge in federal court, claiming the appointment was unreasonable, contrary to law and harmful to community members. Alanis Obomsawin documents the remarkable judicial review that ensued in April 2012 in this companion work to her feature documentary The People of the Kattawapiskak River.

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

A stop-motion documentary that describes the artificial mummification (black and red mummies) of the Chinchorro culture, a pre-hispanic society of fishermen and hunter-gatherers who practiced funeral rites with sophisticated techniques for body preservation 7,000 years ago, originating on the Camarones coast of Chile.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.