Un jour avec Andrée

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

A musical study of Los Angeles in the late 90s, where homeless teens roam the streets and profess to live a punk lifestyle of music, drugs, and flouting authority.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

Artists in LA discover the work of forgotten Polish sculptor Stanislav Szukalski, a mad genius whose true story unfolds chapter by astounding chapter.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

A backstage and on-stage look at Justin Bieber during his rise to super stardom.

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all way to the Vatican.

Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.

Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

A documentary chronicling Queen and Lambert's incredible journey since they first shared the stage together on "American Idol" in 2009.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Filmed from the last night of Tihar, festival of light, in Kathmandu 2025, exploring colour, light and stillness.

Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.

Graduation is approaching, marking the close of a chapter. I took my camera to Green Island, recording video letters day by day. But the camera became unruly, backup batteries went missing, and the trip began to go downhill. Typhoons arrived, and the video letters ceased... Finally, facing the sea beneath the sun, my camera non-responsive, I took a Dramamine, then boated back home.

Resistance Sahara, a haunting yet playful exploration of the liminal space between experimental, documentary, and fictive filmmaking, presents an artistic response to the Sahrawi refugee crisis from the frozen war in Western Sahara. Bringing international artists from a mix of disciplines to the Sahara Desert, and with them will create something new, a response to what they encounter. The film mix testimony from the mouths of the people who live in each zone of crisis with music; image; and symbolism. The audience is invited to reconsider their view of the nature of human suffering, and to build a new bridge of empathy with the people in these remote and sometimes forgotten places..

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Pictures taken between France and Mexico running at 8 frames per second.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

Welcome to the funbubble! Over 2 hours of bizarre entertainment. Meet Shaye Saint John, former supermodel who now has no arms or legs and her special friend Kiki (a burnt doll). This series of shorts documents the daily collision of Shaye's glamorous fantasies with the realities of the physical limitations of her everyday life. These films with their juxtaposition of child-like imagery can be genuinely disturbing without a hint of blood, violence, nudity, cursing, or off-color subject matter of any sort. Watching Shaye do her schtick is akin to watching a segment of one of John Waters' early flicks. There is no question about the fine line between maddness and genius here -- it's madness, plain and simple, dizzying in its detachment to reality. Depending on your outlook, Shaye Saint John is either a true testimony to the power of art to rise above adversity or these films are hidden footage from a ward for the criminally insane!

The short film follows Endika, a director who, in the midst of a clash with his reality, transforms a documentary about paternal absence into a personal quest for reconciliation with his own father.

Within photographs that are not their own, a body discovers it has always been part of another.

This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.

In Pictures for Charis, American photographer Kelli Connell reconsiders the relationship between writer Charis (pronounced CARE-iss) Wilson and photographer Edward Weston through a close examination of Wilson’s prose and Weston’s iconic photographs of the Western landscape and the female nude. Connell weaves together the stories of Wilson and Weston with that of her own relationship with her partner at the time, Betsy Odom, enriching our understanding of the couple from her contemporary queer and feminist perspective. Using Weston and Wilson publications as a guide, Connell and Odom created portrait and landscape photographs at sites where Wilson and Weston lived, made art, and spent time together. - Cleveland Museum of Art

Kelli Connell spent a decade investigating and editing Edward Weston's photographs, Chris Wilson's writings, and her own photographs and writings to create the exhibition: Kelli Connell: Pictures for Charis and its accompanying book. - Cleveland Museum of Art

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

Six sequences about Fascism and its segments throughout history.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscover that unique sensibility against the uncertainty of the new century, returns to the places synonymous with those incomparable and unforgettable films-- From the cat cemetery of Sans Soleil, to the mausoleum of The Last Bolshevik; The caves of Level Five to the rooftops of The Case of the Grinning Cat. A biographical portrait of one of the 20th century's greatest and most misunderstood filmmakers.