L'angoisse du héron

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, anti-imperialist terrorist cells operating in Africa, Europe, and the Middle East. Participants interviewed include Algerian nationalists Yacef Saadi, Zohra Drif, Djamila Bouhired and Abderrahmane Benhamida, Khmer Rouge members Nuon Chea and Khieu Samphan, once far-left activists Hans-Joachim Klein and Magdalena Kopp, terrorist Carlos the Jackal, lawyer Isabelle Coutant-Peyre, neo-Nazi Ahmed Huber, Palestinian politician Bassam Abu Sharif, Lebanese politician Karim Pakradouni, political cartoonist Siné, former spy Claude Moniquet, novelist and ghostwriter Lionel Duroy, and investigative journalist Oliver Schröm.

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending on their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

This essential new documentary pays tribute to the legacy of the late, legendary casting director Marion Dougherty and shines a light on one of the most overlooked and least understood crafts in filmmaking.

North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

A cinematic and introspective look at the residents of a Quebec town—once the site of the world's largest asbestos mine—as they grapple with their community's industrial past. Striving to honour their heritage while reconciling with their history and forging a new path forward, the miners delve into the intricacies of progress and healing.

This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.

The new Longueuil police chief, Fady Dagher, is aware of the challenges he faces. Well positioned for the next five years, he intends to make great changes within this institution. This documentary is an intimate portrait of a man, a vision and an environment into which cameras do not often have access.

Two documentary filmmakers become the plaything of writer Peter Stamm and subject of the novel whose creation they actually wanted to document.

Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.

For the first time, cloistered sisters agree to be filmed for one year in all aspects of their lives. The nuns of Berthierville, the only Francophone community of Dominican nuns in North America for nearly a century, engage in a rare and unique documentary in which exceptional testimonies and archives intermingle.

A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.

This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Robert Roussil, one of the central figures of Québec sculpture, left a profound mark on art history with his bold creations and unwavering commitment to freedom of expression. However, since his death in 2013, his legacy seems to be fading. This film seeks to revive the memory of this visionary artist by delving into his work and philosophy. Constructed from a rich body of archival footage, the documentary also draws on numerous interviews given by Roussil throughout his career. The film traces his journey from his early exile in France to his life in a mill in Tourrettes-sur-Loup, in the Provence-Alpes-Côte d’Azur region, where he created most of his works. The narrative opens the doors to his home and studio, while also shedding light on his sculptures, still visible in Montreal, which continue to reflect his lasting influence.

Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.

This documentary is a reconstruction, based on archive footage, testimonies, and filmed reconstructions, of the Vincendon / Henry tragedy. December 1956: Jean Vincendon and François Henry, two young mountaineers, aspire to join the High Mountain Group. Lacking experience, they set out to climb Mont Blanc via the Brenva spur in the middle of winter. The weather conditions deteriorated, and they decided to give up before meeting Walter Bonatti and Sylvano Gheser. They then decided to continue the climb and set off in two different roped parties. Bonatti decided to take refuge at the Vallot refuge higher up, rather than descend. The two young mountaineers, overcome by the poor weather conditions and fatigue, remained stuck for several days at 4,000 meters. What followed was a completely disorganized rescue operation that became, for more than ten days, a spectacle for all of France and a national tragedy.