Cactus

In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.

In the anarchic town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition and penchant for whisky lead to an inevitable tragedy that Judy must avenge.

Goofy, staying at the Sugar Bowl resort, demonstrates the basics of downhill skiing, which the titles and announcer insist is pronounced "SHEEing". The equipment is, of course, of the era. As you can imagine, Goofy has much trouble keeping his skis parallel and pointing downhill. The final ski jump conveniently lands Goofy right back in bed.

Nerdy Walter Paisley, a maladroit busboy at a beatnik café who doesn't fit in with the cool scene around him, attempts to woo his beautiful co-worker, Carla, by making a bust of her. When his klutziness results in the death of his landlady's cat, he panics and hides its body under a layer of plaster. But when Carla and her friends enthuse over the resulting artwork, Walter decides to create some bigger and more elaborate pieces using the same artistic process.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

Michael Jackson's Dangerous album once again rocketed the global superstar to mega-platinum success! "Dangerous - The Short Films" captures the visual and musical highlights of his most recent string of hit singles. As well as extensive behind the scenes profiles of the making of Michael's state of the art short films.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

Welcome to the Videos is a DVD released in 1998 featuring music videos made by Guns N' Roses between 1987 and 1994.

In this anime visual album, a mysterious driver heads deep into a postapocalyptic hellscape toward a ferocious showdown with two monstrous opponents.

Seymour works in a skid row florist shop and is in love with his beautiful co-worker, Audrey. He creates a new plant that not only talks but cannot survive without human flesh and blood.

An adopted girl discovers her talent for butter carving and finds herself pitted against an ambitious local woman in their Iowa town's annual contest.

Mickey and his friends are staging a sort of olympics in a makeshift stadium on his farm. The main event is a sort of quadrathlon, with running, pole vaulting, rowing, and cycling. Mickey gets a late start due to some foul play by Pete, and that's not the only foul play.

Animals band together to save the day when the evil Otto Von Walrus hatches a sinister scheme to accelerate global warming and melt the Arctic Circle.

While streetworker Mickey romances Minnie, Mickey's nephews Morty and Ferdie take control of his steamroller and it's full speed ahead on a very destructive ride.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

A disturbing puppet short exploring the concept of creativity.

Bounty hunter Bucum Jackson teams with the small-time con artist, Reggie Wright, that he is pursuing, in an attempt to locate a missing stash of diamonds and a lottery ticket worth millions of dollars. Bucum and Reggie find themselves in a race to the finish as they embark on an unlikely partnership that should -- when all is said and done -- prove beneficial to them both.

Exceptionally ambitious high schooler Matthew has aspirations for a career in politics when he falls in love with his gorgeous 19-year-old neighbor, Danielle. But Matthew's bright future is jeopardized when he finds Danielle was once a porn star. As Danielle's past catches up with her, Matthew's love for her forces him to re-evaluate his goals.

When his daughter is murdered, William Duncan takes the law into his own hands, setting out on a quest for retribution. After killing the street thug responsible for her death, he finds himself in the middle of a war with the thug's brother, father, and their gang, who are equally hell-bent on getting even. What ensues is a tense back-and-forth game of vengeance. By the end, William comes to find that the quest for revenge never has a winner.

To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game on americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison. Chirp-1 / Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.

Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. Mama can only communicate with her beloved, absent son through the video screen.

A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.

An Experiment video by Ravin kamaran

An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.

Video art by Vibeke Sorensen made at Calarts in 1989

Performance video about a holiday romance at St Ives, Cornwall.