Body and Landscape

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

When a naive young man becomes the sexual muse for a renowned and provocative artist, his dream job quickly turns dangerous as he is drawn into an obsessive world of power, betrayal, and murder.

NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he's commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.

As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.

In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.

In New York City, the lives of a lawyer, an actuary, a house-cleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.

Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

A group of college students about to graduate have a party one night, in which they discuss their emotional, academic and romantic concerns, only to realize at the end of the evening the great emotional void that each one suffers.

NAILS is a black and white, dialogue-free surreal horror short film. The story is carried through image, rhythm, and score rather than dialogue.

An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.

An ex-military alcoholic begins experiencing unexplained blackouts, and the more he tries to stop them, the worse they get, until he realises they are being triggered by a trauma his mind is fighting to forget.

Interrogations of patricide offenders, footage of vandalised statues, and photographs of Victorian children in faux gardens are interwoven into a metaphor for the perverse legacy of privilege and wealth inherited by those who inhabit The Garden.

Empty box-like apartments and shipping containers evoke the border crossing vampire who travels in a coffin. Unboxing Nosferatu is part of the anthology ‘I Went to a Party Alone’ in which YouTube vlogs of random daily life are recast as scenes imbued with mythic allusions. When the hard cuts and juxtapositions reveal a landscape of oppressive social control, the vloggers’ mundane normal soon gives way to the surreal. Surveillance helicopters chase astral travellers; child hunters look through scope-cam rifles to aim for the heart; 'unboxing' and 'apartment tour' vlogs conjure containment and borders; a 'drive with me' transforms into sousveillance. Seemingly innocuous recordings about shopping, driving or dating are fraught with foreboding as the vloggers who yearn for freedom, love and self-expression find themselves unable to escape society’s haunting bondage.

Surveillance helicopters and the police chase astral travellers. Astral Pegasus is part of the anthology ‘I Went to a Party Alone’ in which YouTube vlogs of random daily life are recast as scenes imbued with mythic allusions. When the hard cuts and juxtapositions reveal a landscape of oppressive social control, the vloggers’ mundane normal soon gives way to the surreal. Surveillance helicopters chase astral travellers; child hunters look through scope-cam rifles to aim for the heart; 'unboxing' and 'apartment tour' vlogs conjure containment and borders; a 'drive with me' transforms into sousveillance. Seemingly innocuous recordings about shopping, driving or dating are fraught with foreboding as the vloggers who yearn for freedom, love and self-expression find themselves unable to escape society’s haunting bondage.

A winter dread gnaws at the anxieties of a young couple.

A patient in a psychiatric ward believes he lives in the belly of a whale, where he's transported himself to escape from the vulgarity and haste of the modern world.

Told in the form of a mock documentary in 92 short parts, nineteen million people are left obsessed with birds and flight following a strange occurrence. A documentarian analyses the lives of all the survivors whose surnames begin with FALL to uncover the truth behind the event.

Munich by night. A lonely robot makes its way into the big city. Dance, dance, dance!

A woman and a man meet on an abandoned tochka along the seashore in Hokkaido, Japan.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

Experimental short 16mm film directed by Mike Henderson. Preserved by the Academy Film Archive in 2010.

The innocent lines of a young girl’s diary recount the visit of her father’s colleagues, the games played in the garden, and the weight of the summer heat through her naïve perspective. Yet, when a “snowflake” falls onto her notebook, it slowly begins to reveal traces of another, unseen reality. What starts with childhood innocence and joy gradually touches upon a far heavier truth of our time.

Experimental short film preserved by the Academy Film Archive in 2012.