Nkumi, everyday life

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

A documentary about the life and films of director John Ford.

Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.

An ethnographic documentary following the Folia de Reis party that is celebrated every year at Morro de Santa Marta on Rio de Janeiro.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

This documentary looks at the stories of a few people in Aspen Colorado and how they contribute to the community.

Film about the singing and dancing culture of the Ingush people

Exploring individual responses to rapid social change, Cowboy and Maria in town follows the parallel lives of its two central characters. Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

“Communalka” tells the story of people living in a communal flat in Saint Petersburg, whose characters and destinies have been shaped by shared living.

Since the late 1990s, more people have died in war-torn Congo than in any conflict since World War II. In addition to the dead, hundreds of thousands of woman and girls have been raped. Rape, explains a British colonel, is a weapon of war, part of a destabilization covering the theft of valuable minerals. Rape victims are traumatized, injured, abandoned by husbands, pregnant, and ravaged by disease.

A musical oddessy through the heart of Africa in search of the roots of Rock & Roll.

Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

The critically important work by renowned naturalist Claudine Andre to save the endangered bonobo apes of the Congo is presented in this visually stunning feature film.

A visual travel diary on the expedition led by Brondeel in 1934. This expedition to Belgian Congo, by truck, became a testimony to the social conditions of Africans during the colonial era.

A meditative stroll through Sacramento landmarks, from the gentrified to the urban.

A revealing one-shot portrait of two Nepali newlyweds in a moment of rest and playful interaction, Stephanie Spray's Untitled challenges our perception of two themes at the very core of ethnographic filmmaking: human relationships and the ways in which they can be experienced by the viewer. Only fourteen minutes long, Untitled is uncut, rejecting the implications of edited sequences and also purposefully excluding subtitles over the couple's conversation. The style of the film confronts the history of ethnography as a controversial study of the "other" by refusing us any clear messages or meanings behind what is being presented, challenging the viewer to come up with their own answers to any questions that may arise.

The Democratic Republic of the Congo is a vast, mineral rich country the size of Western Europe. Alastair Leithead takes an epic journey from the Atlantic Ocean to the far reaches of the Congo river to explore how history has shaped the Congo of today and uncover the lesser told stories of this beautiful, if troubled country. In the largest rainforest outside of the Amazon he comes face to face with its gorillas and hunts with pygmies, he travels into the heart of the Ebola outbreak with United Nations peacekeepers, and explores the cobalt mines which will drive our electric cars of the future.