Le garçon s'appelait Apache

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A depiction of the Wrangelkiez neighbourhood in Berlin. The people portrayed tell their life stories. One woman came to the neighbourhood a decade ago to work in Berlin’s still unfinished Brandenburger Airport, one man reminisces his childhood on a Tobacco farm in Kentucky, another speaks of an exceptional day in an otherwise monotonous workplace. These portraits are interwoven with the story of Elpi, a Greek woman who is waiting for the long overdue visit of an old important friend. The outcome of this mixture is a film which captures the lives and perspectives of some of Wrangelkiez’s most commanding citizens, while at the same time evoking the loss that change and time passing means for places and for people.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

A documentary about the life and films of director John Ford.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

After the high-profile killing of Damilola Taylor, Cornelius' family move out of London. But when they discover their new town is run by racists, Cornelius takes a drastic step to survive.

A documentary on legendary movie-poster artist Drew Struzan.

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

A touching and delicate portrait of four remarkable Ethiopian women, struggling with the poverty and insecurity of urban life in Addis Ababa.

The huge tar sands in Alberta are a potentially profitable resource, but the environmental impact could be heavy and long-term.

SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.

Architects from Europe, America and China are invited to a Chinese provincial town. Within several months, they are to construct a park in Jinhua, intended to form the centre of a new district of that town. Where green fields now flourish and farmers plough the land, investors will soon flock, followed by new inhabitants and political reforms. But the project ends up being drawn out over years. The euphoria of the early stages runs up against a reality in which torn-open earth and the ambitious hopes of politicians, workers and locals are the only manifest features. The film documents the changes leading to the Jinhua Architecture Park - from the laying of the foundation stone to its final opening. In giving all participants in this process an opportunity to comment.

A documentary about entertainment and home, filmed in Switzerland and California.

For four years, Tom Kummer fooled SZ Magazine and other reputable media outlets in Germany and Switzerland with his fake interviews. He owed his longevity to his professionalism: his work always demonstrated seriousness, thoroughness, and quality. He faked interviews with Sharon Stone, Nicolas Cage, Sean Penn, and Bruce Willis, in which he also talked to the stars about personal topics such as sex and drugs. Today, Kummer works as a tennis instructor in Los Angeles.

Five highly original musicians from different countries form the Accordion Tribe. Together they aim to reinforce the original power of the long disdained instrument. The film follows the energetic soundscapes and their performers on a journey through Europe. An extraordinarily intensive documentary on the communicative, connecting power of music.

A contemplation on night travelling in various weather conditions through seemingly endless landscapes in Europe, only briefly disrupted by shreds of conversation in a foreign language.

Documentary about Swiss grocery store pioneer Gottlieb Duttweiler

The first film about second-generation Swiss immigrants: A Turkish ice hockey player explains why, in Switzerland, he could only fall in love with an Italian. A young Italian woman explains why she prefers to rap in English. A hip-hop artist with Hispanic origins fights for his political rights and the director reminisces on how, despite his Arabic roots, he's been persecuted as a Jew. Babylon 2 reflects the rise of a new urban culture in Switzerland, which is instigated by the second generation of immigrants and the help of electronic media.

The Internet has changed everything, also for journalism: business models are falling by the wayside, news is available for free, anywhere and at any time.

There are the “beautiful” and there are the “ugly.” And then there are the “beautifully ugly.” They all evoke emotions. And it comes as no surprise that a former village doctor refers to the “Silvesterchlausen” in the hinterland of Appenzell as the “healthiest fever ever.” No one really knows where the custom comes from. But every year on December 31 and January 13, it touches the hearts of many people of all ages in the Appenzell region and beyond. The film tells of this virus, these emotions and traditions bridging the gap between several generations.

A 15 part film featuring scenes from Xianghe, running from the mundane to the surreal: people parade in opera costumes, slaughter pigs in public and dine on the fields; they bury the dead and get married, tickling the bride and groom, everything done without speech. Sitting somewhere between intimate personal reels and detached ethnographic records, the work creates a simultaneous sense of immersion and distance – of the type you might associate with end-of-life flashbacks. Yang gives nostalgia a fantastic, mystical bent, as if to suggest that to revel in memory is a creative act.

What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist? The answer is: THE VOICE. Against a background of powerful alpine vistas and modern city landscapes, "heimatklänge" enters the wondrous sonic world of three exceptional Swiss vocal artists. Their universe of sound extends far beyond what we would describe as singing. In their engagement with local and foreign traditions, the powerful mountain landscape becomes a stage as do the landscapes and sonic backdrops of modern life.

Film about the everyday life of three children on an alp in the Safiental.

The film follows five professional photographers in Los Angeles, Latin America, Paris, Berlin and Switzerland in their daily struggle to come by. It shows how digitalization and the internet affects and transforms their work deeply. It talks about the world as much as about the image of that world. It talks about pictures and their meaning and what they trigger in those who watch them.