Campagne perdue

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

A feature length documentary about the all-women team at the helm of Pixar's original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

The most comprehensive retrospective of the '80s action film genre ever made.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

Featuring interviews with filmmakers and industry legends, discover the origins and evolution of The Joker, and learn why The Clown Prince of Crime is universally hailed as the greatest comic-book supervillain of all time.

Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

A documentary about the life and films of director John Ford.

Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."

Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.

Two musicians whose biographies could not be more different. And yet, they are not only linked by a passion for music that they share with their spouses. All three have enjoyed successful careers in their home countries, and now need to find new bearings in Switzerland. Parallel to her concerts, pianist Tamriko Kordzaia, originally from Georgia, gives lessons at a music school, composer and singer Samir Essahbi, who is Moroccan, performs regularly with his band, and Turkish singer Ülkü Fazilet Bozkurt is starting to perform again.

The film Sugnu Sicilianu unfolds like a series of flashbacks through time, connecting memory and dreams. This film is a journey through inheritance, where histories are both confronted and reshaped. Sugnu Sicilianu questions heritage, family, and identity through a return to the places that once tied me and my family to our roots.

The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.

Two women and a man suffering from severe depression are accompanied by a camera for a year and a half. The acute phase of their depression is the starting point for this filmed account. How do they cope with their illness and their stay in hospital? How does their professional and family situation evolve after this major crisis? When do they feel cured again?

Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.

The Salecine meeting place, founded near Maloja in 1971 by Zurich communist bookseller Theo Pinkus, quickly became a socio-cultural and political Mecca for the left-wing intelligentsia. The film provides an overview of the chronicle of this Alpine melting pot of ideas, and also shows the changes in the zeitgeist since 1968. It is also a gentle, sentimental (sometimes self-ironic) tribute to the men and women of three generations of Salecina, who, at 1800 above sea level, are creating utopias for a fairer world.

"Gross national happiness is more important than gross national product", declares the King of Bhutan. Can happiness be decreed? We accompany seven Swiss musicians to this mountainous Himalayan country. Between concerts, we meet Bhutanese people in their daily lives, who tell us, as if in passing, what makes them happy. Are we capable of finding happiness elsewhere? Does the advantage of globalization lie precisely in the erasure of the elsewhere? The whole world is in the here and now, and distant horizons are always close to us, transported by SMS...

How do you cope if things turn out differently than you'd imagined? Helena (19) and Jonas (11) are people in great need of support, putting their parents, families, schools and society to the test. The film breaks down the wall that separates them from our world, shows how language and community develop - and asks the question of who we are.

The film tells the adventurous story of an Arab-Swiss music project, of the search for nuances in times of the clash of cultures between the orient and the occident that is cited from all sides.

Between 1950 and 1966, thousands of men set off into the high mountains of the Valais, into a primitive landscape of rock and ice. Here, they erected a temporary civilization. From here, they blasted the rock beneath the Matterhorn and other towering peaks to dig a 160 km-long labyrinth of tunnels to bring water from 35 glaciers to the world's highest dam: Grande Dixence. Miners and intellectuals such as the writer Maurice Chappaz retraced their steps through this endless black abyss in search of the places where the overcrowded barracks once stood, of which only a few ruins remain today. This is where they surpassed themselves.